Fieldy 774 a écrit :
si on pouvait avoir le son des pros avec du Stagg, tout le monde jouerait sur Stagg...
pourquoi mettre 2000€ dans du super matos, si on peut avoir un bon son avec 200 €????
(ironie inside
)
Il n'empêche que hier j'ai vu Freak Kitchen à Tours (
) et que le guitariste du second groupe (
http://www.gotthard.com/ ) à joué sur une stagg pour une musique alors qu'il jouait sur Gibson Les Paul pendant tout le reste du concert.
J'ai pensé que c'était pour l'exploser à la fin... mais même pas.
En plus Geezer ne jouait pas sur du super matos (en tout cas pas très approprié
)
Citation:
You were one of the early pioneers in using a distorted bass tone. How did you achieve that sound?
When we recorded Black Sabbath, I had a 70-watt Laney guitar amp and a Park 4x12 cabinet with only three speakers in it—and two of them were wrecked! That’s how I got that really distorted sound. Actually, I hated the tone of that record at the time, but I’ve gotten used to it now. It’s nostalgic. I didn’t have any alternative; I couldn’t afford to buy new speakers. We had only two days to record, so we just plugged in and performed our live set in the studio. We were allowed one take for each song and stopped only if someone made a horrible mistake. It was out of our hands. No time to dial in the perfect bass tone.
Et pour les effets:
Citation:
What did you use for effects?
I had two Tycobrahe pedals. With their wah-wah, which was a big blue pedal, you could get a weird sub-bass effect. Combined with their flanger, it created a really ethereal sound. I used that on the beginning of “The Writ” and on “Zero the Hero.” People think it’s a keyboard making those sounds, but it’s bass through the Tycobrahe pedals. On Ozzfest, I’ll be using my old Tycobrahe wah, although it’s a bit worse for wear these days.
Source : Bassplayer
http://www.bassplayer.com/stor(...)=3963
"Le 'mieux' est l'ennemi du 'bien'."
