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Le Matériel des Claviéristes pro

Rappel du dernier message de la page précédente :
fuzzbox85
Dave Greenslade (Greenslade) :



Korg Trinity
Yamaha DX7
Roland U20 synthesizer
Yamaha CS-80
Fender Rhodes Piano
Mellotron
Hohner Clavinet
RMI Piano
CAT synthetizer
MiniMoog

Et surtout un ARP Odyssey dans une Cry Baby! C'est le secret du son "Beside Manners are Extra"
fuzzbox85
Rod Argent (Zombies, Argent)


Hammond Organ
ARP Solina String Synth
Mini Moog
Roland RS 202
Yamaha CS80
CAT Synthetizer

Et hier au concert, j'ai pense a vous et je vous ai fait une photo



1 - Harmonium datant du XIXe siecle d'apres Argent Utilise sur "Butcher's Tale"
2 - Mellotron M-400 (Premiere fois que j'en vois un sur scene!)
3 - Hammond HK-3
4 - Kurzweil PC-3 utilise pour les sons de piano
fuzzbox85
Encore Jean Michel Jarre, avec une liste du matos utilise pour le concert a La Defense en 1990

* ARP 2500
* ARP 2600
* Elka AMK8
* Elka Synthex
* Elka MK-88
* EMS AKS
* EMS VCS3
* Korg EXM1R
* Korg T3
* Roland D-50
* Roland D-550
* Roland D-70
* Roland MKS 80 (Super Jupiter)
* Akai S1000
* Roland S-550
* Yamaha KX-5
* Clavier Circulaire
* Laser Harp
* LAG Mad Max II
* LAG Insecte
* ARP Sequencer
* Alesis Quadraverb
* Alesis 1622
* MIDI Tap Lone Wolf
* Atari ST4
* Unitor C.Lab
* Pearl Drums
* Pad Pearl
* Basse Musikmaker
Le Heyd
Un son que je trouve sublime c'est Rick Wright sur Careful with that axe eugene à Earls Court en 73 :

Sur quoi il joue ici? parceque la liste de son matos est troooop longue.

Sinon ça pourrait être interessant de voir le matos des claviéristes d'Anathema. Les Smith (actuel), Martin Powell et Duncan Patterson.
fuzzbox85
Superbe cette version!
Le son de "Eugene" vient du Farfisa Duo Organ avec lequel Rick obtient (obtenait ) ce qu'il appellait le son "egyptien" typique de la periode Ummagumma -> Dark Side of the Moon
Je n'en ai jamais essaye mais je suppose que la reverb est rajoutee avec un Bison Echorec.




Je repasse bientot pour le reste
Le Heyd
Merci! c'est mieux que rien

Ah là là magique ce Farfisa duo organ. Pompei sound please
fuzzbox85
On dit merci au gentil fuzzbox85 qui a pris une photo du matos de Rick Wakeman rien que pour vous!




lemg
  • lemg
  • Vintage Ultra utilisateur
  • MP
  • #70
  • Publié par
    lemg     le 04 May 09, 18:37
fuzzbox85 a écrit :
Superbe cette version!
Le son de "Eugene" vient du Farfisa Duo Organ avec lequel Rick obtient (obtenait ) ce qu'il appellait le son "egyptien" typique de la periode Ummagumma -> Dark Side of the Moon
Je n'en ai jamais essaye mais je suppose que la reverb est rajoutee avec un Bison Echorec.




Je repasse bientot pour le reste


C'est très exactement cette combinaison qui est utilisée sur Echoes et qui était emmenée en tournée encore récemment :




En ce qui concerne Jordan Rudess, si vous désirez le détail de son synthé modulaire, c'est ici : http://www.synthesizers.com/ar(...).html

Citation:
Jordan's system currently consists of 4 22-space vinyl-covered portable cabinets with dual power supplies. 8 Q106 oscillators, 3 Q107 Filters, and a Q150 Ladder Filter. Also included are a pair of Q119 24-stage sequencers. A couple of Q143 Presets modules are used to ease live show patch changes. Here's a picture of Jordan's system just before shipping: Click for Picture.




Puisque Geddy Lee ne joue pas que de la basse :




Ca date de 1977/1978.

J'ai ça aussi, mais ce n'est pas complet :

Citation:
With the recording of A Farewell to Kings, Rush’s expansion of sound required the addition of some new instruments, including the classic Mini-Moog synthesizer, and Moog’s unusual-looking Taurus bass pedal synthesizer.

This first set of Taurus pedals allowed Geddy to play either bass notes or, when interfaced with the Mini-Moog, high, sustained notes. These two pieces of equipment could be seen onstage with Geddy for the next nine years.


Citation:
The keyboards Ged used were constantly changing, however. He acquired an Oberheim 8-voice synthesizer for the recording of Hemispheres, and used it up until the end of the Exit, Stage Left tour.

In the interim, Geddy went through the monophonic Oberheim OB-1 synthesizer, followed by their OB-X polyphonic model.

On the Signals tour, Ged replaced the old 8-voice SEM modules with an Oberheim OB-Xa synth. He also added a Roland Jupiter-8 which had its own dedicated sequencer, the Roland CompuRhythm.

For the next few tours, Geddy was using the PPG Wave synthesizer as his main keyboard. Along the way various other models, such as the Yamaha DX-7, and Roland D-50 would be used, as well.


Citation:
Geddy also began using larger 76-key controllers onstage to play or trigger what were now, more and more being loaded offstage into Akai-made samplers, which would record old sounds and “events” from their past songs.

The advent of programmable sequencers was a major addition to the Rush sound. They allowed the band to trigger keyboard passages, while they continued to play their regular instruments.

As the years go on, and technology became more sophisticated, keyboard parts and even background vocals would no longer need to be played from the stage, or even an offstage synthesizer. They simply could be recorded onto a sample and triggered from the foot of any one of the three musicians.


Citation:
The Test For Echo tour also was also a “back-to-basics” change for the keyboard setup, which saw his keyboard rig come full circle with the resurrection of his old Mini-Moog from storage.


Et d'après Wikipedia :

Citation:
Keyboards and synthesizers
Over the years, Lee's keyboards have featured synthesizers from Oberheim (Eight-voice, OB-1, OB-X, OB-Xa), PPG (Wave 2.2 and 2.3), Roland (Jupiter 8, D-50, XV-5080, and most recently a Fantom X7 on the Snakes and Arrows tour), Moog (Minimoog, Taurus bass pedals, Moog Little Phatty[19]), and Yamaha (DX7, Yamaha KX76). Lee used sequencers early in their development and has continued to use similar innovations as they have developed over the years. Lee has also made use of digital samplers. Combined, these electronic devices have supplied many memorable keyboard sounds, such as the "growl" in "Tom Sawyer" and the melody featured in the chorus of "The Spirit of Radio".

With 1993's Counterparts, Rush reduced most keyboard- and synthesizer-derived sounds in their compositions, and they continued to do so with each successive album. In 2002, the band produced an album—Vapor Trails—that was completely free of keyboards and synthesizers, featuring only voice, guitar, bass guitar, drums and percussion. With the release of 2007's Snakes & Arrows, Lee sparingly adds a Mellotron to the instrument line-up. However, it does not mark a return to a "synth" sound for the band. Much like Vapor Trails, the music is primarily recorded with multiple layers of guitars, bass, drums and percussion.


[edit] Live performances: special equipment

[edit] Recreating unique sounds
Newer advances in synthesizer and sampler technology have allowed Lee to store familiar sounds from his old synthesizers alongside new ones in combination synthesizer/samplers, such as the Roland XV-5080. For live shows in 2002 and 2004, Lee and his keyboard technician used the playback capabilities of the XV-5080 to generate virtually all of Rush's keyboard sounds to date, as well as additional complex sound passages that previously required several machines at once to produce.[20]

When playing live, Lee and his bandmates recreate their songs as accurately as possible with digital samplers. Using these samplers, the band members are able to recreate, in real-time, the sounds of non-traditional instruments, accompaniments, vocal harmonies, and other sound "events" that are familiar to those who have heard Rush songs from their albums.

To trigger these sounds in real-time, Lee uses MIDI controllers, placed at the locations on the stage where he has a microphone stand. Lee uses two types of MIDI controllers: one type resembles a traditional synthesizer keyboard on a stand (Yamaha KX76). The second type is a large foot-pedal keyboard, placed on the stage floor (Korg MPK-130, Roland PK-5). Combined, they enable Lee to use his free hands and feet to trigger sounds in electronic equipment that has been placed off-stage.[20] It is with this technology that Lee and his bandmates are able to present their arrangements in a live setting with the level of complexity and fidelity that fans have come to expect, and without the need to resort to the use of backing tracks or employing an additional band member.[21]

Lee's (and his bandmates') use of MIDI controllers to trigger sampled instruments and audio events is visible throughout the R30: 30th Anniversary World Tour concert DVD (2005).

In the Snakes and Arrows tour, Lee used a Roland Fantom X7 and a Moog Little Phatty synthesizer.


Matériel de la tournée Vapor Trails :

Citation:
Lee also handles a large portion of the band's synth parts and sample triggering. The guts of his keyboard rig sit in an offstage rack, where keyboard tech Jack Secret has designed a system that's based around four Roland XV-5080 synth modules (with sample playback capability) with external Glyph hard drives.

Lee triggers his parts from three older, tried-and-true MIDI controllers: a Yamaha DX-7 keyboard and two MIDI keyboard pedals, a Korg MPK-130 and a Roland PK-5. The MPK-130 sits under his keyboard stand, and the PK-5 is underneath his primary mic stand at center stage.
lemgement lemg
fuzzbox85
Vangelis




Liste tres complete de son equipement:

Akai S900 Photo in "Direct"-booklet
Akai S1000 "S.O.S." July 1990 (UK)
Akai S1100 Keyboard Review interview, dec '92 (UK)
Akai DD1000 Keyboard Review interview, dec '92 (UK)
Alesis SR-16 Seen on picture of Vangelis at his keys at the Vangelis Odyssey website.
ARP 2500 One cabinet in the Musical Express broadcast.
Arp Odyssey Superstar LP ("Earth" re-release, photo around '80)
Arp Pro Soloist Photo
Bosendorfer grand piano Oor '76 article
Crumar Compakt Piano Oor '76 article
Elka Rhapsody 610 Sound on Sound "Recording Vangelis" equipment list
Ems Vocoder Superstar LP ("Earth")
Emu E4X Sampler Amonst Vangelis' gear at the Mythodea concert, 2001
Emu Emulator 1 Photo in "Superstar"
Emu Emulator 2 Photo in "Direct"-booklet
Emu Proteus/2 Gear at the Mythodea concert, 2001
Ensoniq VFX-SD ET1 TV interview 1990
Ensoniq Mirage Seen on pictures of Nemo studio
Farfisa Synthorchestra Sound on Sound "Recording Vangelis" equipment list
Fender 88 Oor '76 article
Hammond B3 Oor '76 article
Hohner Clavinet Oor '76 article
Korg 01W/FD Recognized preset sound in "1492"
Korg 700 monophonic Interview Keyboard '84
Korg 800DV "Maxi Korg" inside cover of Heaven and Hell LP
Korg DSM1 "S.O.S." July 1990 (UK)
Korg DVP1 Photo in "Direct"-booklet
Korg i3 Spotted at Athletics opening ceremony '97
Korg Karma Preset rhythm: Ending of World Cup Anthem Synth version
Korg M1 French Musicien magazine
Korg M1R Module (or M1REX) Gear at the Mythodea concert, 2001
Korg Poly 800 Sound on Sound "Recording Vangelis" equipment list
Korg Polyphonic Ensemble Japanese LP pressing
Korg PS-3300 Spotted in a video interview
Korg S1 Spotted in the Conquest of Paradise music video
Korg Symphony French Musicien magazine
Korg T1 Eureka concert (TV)
Korg T2 "Antigone de Sophocle" extract in Musiques au coeur (TV)
Korg T3 "Musiques au Coeur" (TV)
Korg Trinity Preset sounds in Oceanic
Korg Triton Preset sound in Mythodea Introduction
Korg x3 Spotted at Athletics opening ceremony '97
Korg Wavestation Spotted in repairshop in Paris
Kurzweil 250 French Musicien magazine
Kurzweil K1200 Spotted at Athletics opening ceremony '97
Kurzweil K2000 "Musiques au Coeur" (TV)
Linn LM1 Keyboard interview '81
Moog Minimoog keyboard interview'81
Moog Modular System Booklet of 3LP box
Moog Satelite Sound on Sound "Recording Vangelis" equipment list
Oberheim 2 Voice Odes LP
Oberheim Matrix 12 Photo (in Keyboard?)
Roland CR 5000 Keyboard interview '81
Roland D50 French "Musicien magazine"
Roland JD800 Eureka concert (TV)
Roland Jupiter 4 (JP-4) Sound on Sound "Recording Vangelis" equipment list
Roland Jupiter 6 (JP-6) Seen on Herrod Atticus concert photographs
Roland JV1080 or XP-50 or XP-80? Preset sounds in Ask the Mountains
Roland JV80 Keyboard Review interview '92
Roland JX8P Spotted in Nemo studios on photographs
Roland Juno 106 There are two of them on the "Sound Studios" photographs in the "Direct" booklet
Roland MKS 20 French Musicien magazine
Roland MKS 70 French Musicien magazine
Roland MKS 80 Super Jupiter Photo in "Direct"-booklet
Roland MPG 80 programmer for MKS 80 Nemo studio photographs
Roland Paraphonic 505 Photo in People magazine in '82
Roland Promars Photo in "Superstar LP" (Earth)
Roland RE-201 Sound on Sound "Recording Vangelis" equipment list
Roland S-50 French Musicien magazine
Roland S-760 Sampler Gear at the Mythodea concert, 2001
Roland S-770 Keyboard Review interview '92
Roland SH-3A Sound on Sound "Recording Vangelis" equipment list
Roland SH-1000 Sound on Sound "Recording Vangelis" equipment list
Roland SH-101 Spotted in Antarctica DVD extra feature
Roland Super JD-990 Gear at the Mythodea concert, 2001
Roland Super JV-1080 Gear at the Mythodea concert, 2001
Roland System 100 French "guitarre et Clavier" magazine
Roland System 700 modular Pictures in booklet of 3LP box
Roland TR-626 Sound on Sound "Recording Vangelis" equipment list
Roland U110 French Musicien magazine
Roland Vocoder Plus VP-330 Mark 1 Picture in "Electronics and Music Maker" magazine
Roland Vocoder Plus VP-330 Mark 2 Pictures from Nemo studios on web-site
RSF Kobol Keyboard USA interview
Sequential Circuits Prophet 5 Keyboard interview '81
Sequential Circuits Prophet VS (rackmount) Photo in "DIRECT"-booklet
Sequential Circuits Prophet 10 Photo in "Direct"-booklet
Simmons SDSV Keyboard interview '81
Stylophone 350s Mentioned in Oor Feb '76 article
Tornado "Reed" organ Oor '76 article
Theremin Radio interview "Walhalla"
Waldorf Microwave Keyboard Review interview '92
Yamaha CP-80 Sound on Sound "Recording Vangelis" equipment list
Yamaha CS-40M Keyboard interview '81
Yamaha CS-80 Keyboard interview '81
Yamaha DX7 Photo in "Direct"-booklet
Yamaha TX7 On pictures from inside Nemo studios
Yamaha DX7 II Photo in "Direct"-booklet
Yamaha DX21 Seen on TV news item in mid eighties
Yamaha EMT100 French Musicien magazine
Yamaha GS1 Photo in SOS interview , Dec 84
Yamaha GS2 Keyboard interview '81
Yamaha RX5 Rev. cymbals in Sidestreets, and on "Direct" photo under papers
Yamaha SY77 Foto in the City Booklet
Yamaha SY99 Sounds heard on Voices (chimes in Prelude)
Yamaha VL1 Patches recognized on Voices and Oceanic
Zyklus Midi Performance System Sequencer used on albums like Direct, inspired the custom "Direct box"


Et un lien qui explique quel materiel a ete utilise et sur quel album:

http://news.planetorigo.com/ar(...)h0mp&
fuzzbox85
Peter Howell : celebre son du generique de "Dr Who" explique!



Combinaison de Yamaha CS-80 / ARP Odyssey / Korg Vocoder
fuzzbox85
En parlant de Who:


Pete Townshend:

1970:





Orgue Lowrey Berkshire Deluxe TBO-1 / EMS VCS3 (et son controleur)



ARP 2500


1999:





A - ARP 2600 synthesizer (e.g., Relay)
B - ARP 2500 synthesizer (e.g., Going Mobile)
C - 1968 Lowrey Berkshire Deluxe TBO-1 organ (e.g., Baba O’Riley and Won’t Get Fooled Again)
D - Kurzweil K2000 digital synthesizer/sampler.


Pete Townshend a eu un role decisif dans le developpement d'ARP

F-Key
  • #75
  • Publié par
    F-Key     le 13 May 09, 00:47
le GAS de vangelis met tout le monde d'accord
quel talent il a ce prodige !!! incontournable !
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