le_vince a écrit :
a titre informatif ...
j'ai pas mis ça par hazard...
Citation:
pour verbek (patrick) .
le rock n'est qu'une imitation par des blanc du Delta blues ... (ecoute un Roadrunner de dixon pour t'en convaincre...).
Citation:
Le mélange du Blues/Rhythm & Blues des noirs et de la Country Music du Sud (Hillbilly) donna naissance au "Rockabilly''
attention tu vas faire rires des amis a moi la ... le rockabilly est un revival electrifier du hillybilly...
d'apres "my hapiness" tout la period SUN de presley est a 90% hillybilly...
je n'ais a aucun moment dit que le rock and roll etait blanc (j'ai meme dit le contraire il me semble) j'ai juste dit qu'une amerique blanche ne pouvais de dendiner sur des rythm chanter par des noire ...
C'est plutôt moi (sans rancune) qui vais rire de tes amis... mais voila l'avis de musicologues, plus compétents, (sorry, en Anglais) pour remettre les horloges à l'heure...
Rockabilly is the earliest form of rock and roll as a distinct style of music. It is a fusion of blues, hillbilly boogie, bluegrass music and country music, and its origins lie in the American South. As Peter Guralnick writes, "Its rhythm was nervously uptempo, accented on the offbeat, and propelled by a distinctively slapping bass....The sound was further bolstered by generous use of echo, a homemade technique refined independently by Sam Phillips and Leonard Chess in Chicago with sewer pipes and bathroom acoustics." While recording artists such as Bill Haley were playing music that fused rhythm and blues, western swing and country music in the early 1950s, and Tennessee Ernie Ford performed in a somewhat similar style on songs such as "Smokey Mountain Boogie,"
they were not playing rockabilly. As Nick Tosches writes, "By the early 1950s, it was not uncommon to encounter simultaneous country and rhythm-and-blues recordings of the same song." And he points out that the Delmore Brothers and Hank Williams were performing, in the late 1940s, music that could be called rock and roll. But rockabilly was a stripped-down version of its various sources, and thus a specific stylistic moment in the evolution of music that before had existed in many forms.
Elvis Presley's 1954 Memphis sessions for Sam Phillips's Sun Records produced arguably the first rockabilly recordings. "That's All Right," first performed by Arthur Crudup, was a reworking of a blues tune, done with overtones of country music. "Blue Moon of Kentucky," by Bill Monroe, was a bluegrass standard, done with overtones of blues.
During roughly the same period of time, a young singer/songwriter down in Lubbock, Texas named Buddy Holly was busy taking elements of various musical styles (blues, country, gospel, south of the border, etc...) and melding them into what later became the "Tex-Mex" sound. Holly's pioneering efforts are legendary, and the
rockabilly sound was a strong element in much of his work.
Carl Perkins, who also recorded for Sun, is another performer whose recordings helped to define the genre. "Blue Suede Shoes", written by Carl, is considered a classic of the style. The early recordings of Jerry Lee Lewis, Johnny Cash, Dale Hawkins, Charlie Feathers, Gene Vincent, Billy Lee Riley and Roy Orbison are also considered essential, although Cash, Vincent, Lewis and Orbison each went on to perform in other styles.
Eddie Cochran and Ricky Nelson also are considered rockabilly performers; they were not, however, from the South, although Nelson's guitarist, James Burton, grew up in Shreveport.
etc....
A gentleman is someone who knows how to play the banjo... but doesn't !