Le Vox et le Delay, c'est qui reste le plus important pour commencer.
N.B : Le compresseur, c'est pas si important
Amplis
* Vox AC30 - his 1964 AC30
* Fender Deluxe Tweed - 1956 with Vox speaker
* Fender Deluxe Tweed - 1958 with Jensen Alnico speaker
* Fender Blues Jr
* Roland JC120
Pedals and Rack
* Boss FV-300L volume pedal
* Dunlop Cry Baby
* Digitech Whammy WH-1
* Skrydstrup SC-1
Pedals
* Lovetone Meatball
* Lovetone Doppelganger
* Electro-Harmonix Big Muff PI
* Ampeg Scrambler
* Ibanez TB-9 Tube Screamer
* BOSS GE-7 Graphic Equalizer
* BOSS CS-2 Compressor/Sustainer
* BOSS PW-2 Power Driver
* BOSS FA-1 FET Amplifier
* Skrydstrup Bufferooster
* Sobbat DB-1 Drive Breaker
* Kay Fuzz: effect was removed from its plastic case and built inside an empty Crybaby housing.
Rack
* Lexicon PCM (x2)
* Line6 DM4 Rackmounted Distortion Modeler (x2) (Custom Made)
* TC 2290 Dynamic Delay (x4; two are placed before the POD effects, two of them placed afterwards)
* Line 6 Pod Pro
* Korg SDD 3000
* Korg A3
* Eventide Ultra-Harmonizer
* AMS S-DMX
* Rockton DVC Volume Controller
Tophe