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j'ai un seymour (SH4) sur une de mes grattes et essayé un duncan design, et c'est pas vraiment le son que je recherche pour mon es 335. Le SH4 est trop incisif, tranchant et un peu trop moderne à mon goût (pour cette guitare : pour celle que j'ai upgradé, c'est nickel !)
j'aimerai plus vintage et crunchy que le SH4.
ben chez duncan, ils ont en série vintage :
SH-1 ’59 model
Versatile P.A.F.-type humbucker. Great for country, jazz, blues, funk, classic rock and heavy rock.
Late-‘50s, vintage-correct, humbucker sound. Warm and crystalline clean tones. Full and bright distorted tones. Smooth sustain. Classic appointments include plain enamel wire, long legged bottom plate, vintage single conductor cable and no logo. Compared to the SH-55 Seth Lover, the ’59 has slightly more scooped mids and is vacuum wax potted for squeal-free performance.
complete setup Available in both neck and bridge models. Often a ‘59 neck is used together with a hotter bridge pickup like the SH-4 JB or SH-13 Dimebucker for extra versatility.
guitars For balanced and warm instruments. Works especially well with mahogany bodies and rosewood fingerboards.
available mods Four-conductor cable. Trembucker. Nickel or gold-plated cover. 7-string version. Seymour Duncan logo. Available in matched set of ’59 bridge and ’59 neck. Colors (humbucker spacing).
players Ben Harper (neck & bridge), Robben Ford (neck & bridge), Mike Einzinger / Incubus (neck), Robert Smith / The Cure
SH-55 seth lover model™
Ultra-authentic, Alnico 2, P.A.F.-type humbucker. Great for country, jazz, blues and classic rock.
Designed jointly by Seymour and humbucker inventor, the late Seth Lover. Just like the original 1955 P.A.F.s, the SH-55 utilizes a nickel silver cover and long-legged nickel silver bottom plate, butyrate plastic bobbins, plain enamel wire, Alnico 2 bar, wooden spacer, and black paper tape. To be completely true to the original design and tone, the pickup is not wax potted. The tone is vintage P.A.F. The unpotted cover gives a slightly “honky” microphonic quality. Vintage style single conductor cable standard.
complete setup Mostly commonly used in a neck and bridge set. Can be used in the neck with an SH-11 Custom Custom for heavier rock sounds from the bridge position.
guitars For brighter toned instruments. Works especially well with maple and ebony fingerboards. Not recommended for use with ultra high gain tube amplifiers over 50 watts.
available mods Choose nickel or gold-plated cover. Four-conductor cable.
players Joe Perry / Aerosmith (neck & bridge), Gary Rossington & Rickey Medlocke / Lynyrd Skynyrd (neck & bridge), Blues Saraceno, Dweezil Zappa, Sheryl Crow (neck & bridge), George Pajon Jr. / Black-Eyed Peas (neck & bridge), Steve Stevens (neck & bridge)
APH-1 alnico II pro™
Warm, moderate-output humbucker. Great for jazz, blues, classic rock and slide.
The Alnico 2 magnet and moderate windings yield a warm, sweet tone with more natural string vibration for great sustain. Classic rock players who get their distortion from the amp rather than the pickup love the APH-1. It allows them to back off the crunch and get beautiful clean tones with softer attack. Compared to the ’59, the Alnico II Pro has a rounder sound with a spongier bass response. Comes with four-conductor hookup cable and no logo.
complete setup Often the APH-1 is used in both neck and bridge positions. Or, in the neck with a higher output pickup like an SH-11 Custom Custom or SHPG-1b Pearly Gates for heavier rock or hotter blues sounds from the bridge position.
guitars For brighter toned instruments. Works especially well with maple and ebony fingerboards. Also works great with hollow and semi-hollow body guitars.
available mods Nickel or gold-plated cover. Trembucker. Seymour Duncan logo. Colors (humbucker spacing).
players Slash / Velvet Revolver & Guns ‘N Roses (neck & bridge), Michael Wilton / Queensryche (bridge), Jeff Tamelier / Tower of Power (neck), Tim Mahoney / 311 (neck), Troy Van Leeuwen / Queens of the Stone Age (neck)
SH-PG1 pearly gates™
Warm, slightly-hotter-than-vintage humbucker. Great for blues, classic rock, southern rock, jam, and hard rock.
description Originally designed as a recreation of the pickups in the ’59 Les Paul® Standard that defined the raw, rebellious sound of Texas blues-rock. The Pearly Gates is sweet, but slightly rude, with great sustain and a bright top end that make harmonics jump out of the guitar. Comes with four-conductor hookup cable.
complete setup Often used in both neck and bridge positions. Can
be used in the bridge with an APH-1n Alnico II Pro in the neck for smoother tones; or, a Pearly Gates in the neck with an SH-11 Custom Custom for heavier rock sounds from the bridge position.
guitars For brighter toned instruments. Works especially well with maple and ebony fingerboards. Also works great with hollow and semi-hollow body guitars.
available mods Nickel or gold-plated cover. Trembucker. Colors (humbucker spacing).
players Dickey Betts (neck & bridge), Warren Haynes/ Gov’t Mule (neck & bridge), Howard Leese / Heart (neck & bridge), Greg Martin / Kentucky Headhunters (neck & bridge)
moi, j'dirais le Pearly Gates...
Bon après ça, mon post fut inutile lol mais je l'ai écrit en même temps désolé...
