Nouveautés de NAMM 2012! (Pigtronix Looper!!!)

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8oris
  • #60
  • Publié par
    8oris
    le 21 Jan 12, 19:21
fxdfxd a écrit :
Marrant j'aurais dis le contraire, ces sons tout synthetiques, avec un deluge d'effets, c'est vraiment pas ca qui me ferait acheter ce BOSS !
Je sais toutefois que l'engin peut sonner bien mieux, il faudra juste attendre les premiers samples d'utilisateur pour savoir

-fx


C'est clair, comme d'habitude chez Boss, les démos sont pas plus engageantes que cela...
Le sample "Wall Of Dist" de la section "Metal/Punk" fait vraiment plastoc!

Par contre, le G5 de chez Zoom avec tout ces écrans, ça présage bon!
Starfucker Inc.
Starfucker Inc. a écrit :



VENTE A PERTE PEDALES ET BAFFLE HAUT DE GAMME

"J'ai l'impression que certains ici ne prennent pas la guitare assez au sérieux... J'en ai surpris en train de s'amuser... Dommage..." - Zepot

FAUVE ? "imiter Thierry Roland qui imite Grand corps malade, c'est pas donné a tout le monde" - Mia Wallace
lemg
  • lemg
  • Vintage Ultra utilisateur
  • MP
  • #64
  • Publié par
    lemg
    le 22 Jan 12, 12:16
Déjà postée ?

lemgement lemg
eclectik
cold a écrit :
Ah, un simulateur de coin-coin...
Mon Tube

Test EHX XO Knockout, ou comment faire sonner des micros doubles comme des simples.

665, the neighbor of the beast !
FMF
  • FMF
  • Custom Cool utilisateur
  • MP
  • #68
  • Publié par
    FMF
    le 22 Jan 12, 15:21


Vu que le sieur Lalonde n'a pratiquement pas touché aux potars en jouant, j'imagine (et surtout j'espère ) que le machin est capable de mieux que ça.

J'ai pas regardé la vidéo en entier mais la Sonar a l'air nettement plus exploitable ans son genre.
"Wheeeheeea!" - M. Jackson
FMF
  • FMF
  • Custom Cool utilisateur
  • MP
  • #69
  • Publié par
    FMF
    le 22 Jan 12, 17:56
Hé...

Malekko Ekko 919 :



En espérant que cette fois soit la bonne.

Les specs restent inchangées donc juste pour rappel :

Malekko a écrit :
Features:

40 millisecond to 1.00 second BBD Delay using NOS BBDs.

Largest dynamic range possible from a BBD Delay using -15V BBD ICs.

Tap Tempo footswitch control of echo delay time with tempo rate LED.

Knob control of echo delay time.

Soft takeover between tap tempo and knob control. Tap the footswitch, its delay time is in control. Move the knob, the knob delay time is in control.

Move freely between the two controls.

True Bypass, Active Bypass and Active “Trail” Bypass, letting you hear the echo trail after switching to bypass mode.

Mix from 100% Dry, 50/50 Mix to 100% Wet.

Tone Equalization control.

Specially tuned flat feedback response to below 100 Hz.

Excess Feedback includes a limiter in the feedback loop for infinite sustain echo without annoying feedback howl.

The combination of feedback limiter, tilt tone filter and modulation options make this a wild synthesized tone generator. No input is necessary except a dummy jack to activate the power circuit.

LFO Speed and Modulation Depth controls and modulation enable switch.

Wide range of LFO modulation shapes: sine, square, sample & hold and diffusion

Diffusion is an exclusive mode never before heard from any BBD delay, spreading the sound into a “cloud-like” atmosphere.

Powered by +9.6 V 500 mA or greater power supply.


More info at http://www.effectsdatabase.com(...)doFbk




Malekko Bit :





Malekko Spring :



Sans parler des Wolftone Chaos et Helium (vu qu'elles sont déjà dispo), ils auront été bien productifs chez Malekko ces derniers temps.
"Wheeeheeea!" - M. Jackson
FMF
  • FMF
  • Custom Cool utilisateur
  • MP
  • #70
  • Publié par
    FMF
    le 22 Jan 12, 18:40
Sonuus Wahoo :







Sonuus a écrit :
Features :

The Wahoo™ is a dual analogue filter stomp box where each filter can be configured as low-pass or band-pass and operate independently in wah pedal, envelope, LFO, and pitch-tracking modes. The warm-sounding fully analogue signal path is digitally controlled for precision, configurability and adaptability. Whether you want to recreate the character of vintage wah/filter pedals or break new sonic barriers, the Wahoo™ can do it for you.
Warm Organic Tone

By using an analogue filter topology based on vintage synthesizer filters, the Wahoo™ generates a warm tone with an organic feel. Something that’s not possible using digital effects.

A drive control lets you gently overdrive the filters to increase the warmth or crank it up to get fuzz-wah tones.
Innovate

Packed with innovations, the Wahoo™ lets you invent new sounds.

Unique patent-pending pedal sensor for super-fine precision control that will never wear out.
Transparent-True-Bypass giving all the benefits of true-bypass without the switching noise.
Dual-filter design allows enhanced sonic possibilities that have more depth and are more vocal-sounding than most other filter pedals.
Sonuus pitch-tracking technology provides novel pitch-tracking filter effects.
Response curves let you tailor the feel of the filter response.

Replicate

The filters have a wide frequency range of 10 Hz – 4 kHz, and wide resonance range from flat to self-oscillation. Moreover, resonance is not fixed, but can be varied dynamically so it can track the cutoff frequency to further expand your creative possibilities. Combining this with drive, response curves and variable envelope filter attack/decay allows you to replicate the sonic character of many vintage and modern wah/filter pedals.
Create

It’s simple to tweak settings on the carefully designed control panel. Once you have created what you want, you can save it to one of 99 internal presets.
Perform

As well as being ideal at home or in the studio, Wahoo™ has special features that make it perfect on stage. The sturdy, lightweight aluminium chassis, paired with modern robust electronic design ensures that the Wahoo™ will stand up to the demands of the toughest gigs. The large bright display is readable outdoors but can also be dimmed when required in low-light environments.

A lock switch ensures that settings cannot be changed accidentally in the heat of a performance, but still allows you to select which preset to use. Foot-operated selection of presets lets you access what you need with minimum hassle.

Powered by 9VDC, 4xAA batteries or USB, and with modern-yet-retro styling, you can be sure Wahoo™ will fit into your rig.
Unique patent-pending pedal sensor

Most wah pedals operate using a potentiometer (a pot) which wears out quickly resulting in the effect becoming scratchy. These also have mechanical couplings which limit fine control and let dirt inside the unit, so compromising reliability.

Some other wah pedals use optical methods which are susceptible to dirt, and these also have mechanical couplings.

For the Wahoo™, we designed a brand new type of position sensor that allows super-fine precision control with no mechanical couplings. As a result, the pedal control on the Wahoo™ won’t get scratchy and will never wear out!
Transparent-True-Bypass

True-bypass means that the effect is completely switched out of your signal chain when bypassed to preserve the integrity of your guitar/bass signal. This is typically done by mechanical switches but these cause clicks or pops when switching.

For the Wahoo™, we designed a silent-switching true-bypass circuit so you get the benefits of true-bypass without the associated switching noise. What’s more: if the power to Wahoo™ is interrupted, the unit will automatically switch back to the bypassed state so you don’t lose your signal.
Computer Connection

A USB connection lets you connect Wahoo™ to a computer where the Desktop Editor Software allows deeper preset editing and manipulation. USB-MIDI can be used to sync internal LFOs and to automate the filter parameters. You can also configure the expression pedal and control panel to send MIDI controller messages to drive software instruments and effects.
Future-Proof (Upgradeable Firmware)

To support new features and to make it futureproof, the firmware (internal software) of the Wahoo™ can be upgraded. This means you can invest with confidence in the Wahoo™.

Warm organic analogue tone.
Dual-filter design.
Digitally controlled with 99 presets.
Patent-pending pedal sensor that will never wear out.
Transparent-True-Bypass switching.
Wah pedal, envelope, LFO and Pitch-tracking filter modes.
Future-proof upgradeable firmware.
9 vdc, 4xAA batteries, USB-powered.


More info at http://www.effectsdatabase.com(...)hsWaU




Rockett Pedals Trombetta WTF Fuzz :



Et le proto, pour montrer les réglages :








Ça ressemble énormément à la Mini-Bone, voire c'est le même circuit (avec deux-trois changements) assemblé par Rockett, non?

Perso, j'adore, mais je vais sûrement moins adorer le prix.
"Wheeeheeea!" - M. Jackson
8oris
  • #71
  • Publié par
    8oris
    le 22 Jan 12, 22:54
Blackstar avc sa nouvelle HT-Metal:


Citation:
Specs:

• Genuine valve design
• Operates at 300V HT
• Cascaded valve gain stages
• Responds like a valve amp
• 2 channel operation
• Clean, Overdrive & super high gain Lead modes
• Unique switching operation
• Extreme gain and tone
• Unique enhanced tone controls
• Patented Infinite Shape Feature (ISF)
• Fully equipped for stage or studio
• Speaker emulated output
• High integrity buffered bypass
• Power supply included
• Silent Switching
eneXium
Ca ressemblerait à une version non signature de l'édition limitée Gus G sortie il y a quelques temps non ?
Ibanez/Jackson/ESP user
Marshall user
TWO NOTES Torpedo Live user

"Ce n'est pas la destination qui compte, mais le chemin pour y arriver"
lemg
  • lemg
  • Vintage Ultra utilisateur
  • MP
  • #75
  • Publié par
    lemg
    le 19 Feb 12, 22:13
ninigame a écrit :
DiscoFreq a écrit :
Comme chaque année
http://www.effectsdatabase.com(...)/2012

Déjà plus que 70 pédales connu!




Pigtronix Infinity - Stereo Multi-Track Looper
http://www.effectsdatabase.com(...)inity


Red Witch Synthotron
http://www.effectsdatabase.com(...)otron

...


le Red Witch Synthotron c'est pour faire le canard avec sa gratte pour la somme de 200 euros ?? ok je sors


Pas du tout.



























C'est visiblement beaucoup plus cher.
lemgement lemg

En ce moment sur effet guitare et Pigtronix...