Les secrets du delay dans Ok Computer

  • #1
  • Publié par
    Invité
    le
salut
j'écoute beaucoup cet album en ce moment et je me demande vraiment comment ils font ces effets de delays assez incroyables.
je sais qu'un des guitaristes a des delays boss mais bon doit pas y avoir que ça quand même?
ou alors c'est essentiellement du traitement studio?
spada
  • Custom Ultra utilisateur
  • #2
  • Publié par
    spada
    le
si tu veux voir quels delays ils utilisent, direction GuitarGeek... j'avoue ne pa m'interesser au matériel des pros... mais bon avec Godrich à la prod, oui c'est clair qu'il doit y avoir pas mal de "post-prod"
va encore transformer sa spadacaster.
tinouz
  • Custom Méga utilisateur
  • #4
  • Publié par
    tinouz
    le
Je crois que une de boss dd3 est modifiée, ce qui donne ce son particulier.
"Life’s but a walking shadow, a poor player
That struts and frets his hour upon the stage,
And then is heard no more. It is a tale
Told by an idiot, full of sound and fury,
Signifying nothing."
Willow McLeod
Je sais que pour les gros delays bien planants (subteranean) Jonny Greenwood utilise un Roland Space Echo (utilisé aussi par David Gilmour si je ne m'abuse).
Mes compos : paysages musicaux à explorer ici
zouzibar
pour Ed c'est plutôt Line6 DL4, Deluxe memory man, mais son pedalboard est bien fournis et il doit y en avoir d'autres
lemg
  • Vintage Ultra utilisateur
  • #7
  • Publié par
    lemg
    le
La DL-4 n'existait pas à l'époque de l'enregistrement de l'album mais il est vrai que dès qu'elle est sortie, elle s'est retrouvée dans son pédalier.

Outre les Boss (pédales et racks), il y a aussi de l'AMS et come celà a été déjà dit, des Roland space echo.

Leur matériel de l'époque :

Citation:
THOM YORKE AND Jonny Greenwood don't much care to discuss the equipment they use. That's partly because they've learned not to get too attached to what are in the end just tools-the fact that all the band's old touring gear was stolen after a 1995 New York gig and never recovered may have something to do with this-and partly because they don't want to sound like they totally endorse anything. "That's why we put on the album 'all instruments at retail price says Yorke. Nonetheless, with the 'help of one Of the band's guitar techs, Peter Clemens (a. k. a. Plank) we've managed to compile a basic roundup of Radiohead's live guitar arsenal. Yorke is a Fender man all the way, using a Seventies Telecaster Deluxe and Jazzmaster, a recent Japanese reissue Tele with stacked humbuckers and a customized Tele with a Strat neck, one humbucker and an active preamp control. "That last one started life as an American Standard, but now it's all bits and pieces that have been set fire to," Plank says. Yorke's main live acoustic is an Alvarez-Yairi DY-88, his main amp's a '95 Fender Twin Reverb, and his effects include a ProCo Turbo Rat and Boss digital delay. Jonny Greenwood's usual axe is a slightly rewired Tele Plus with Lace Sensor pickups, though Plank won't divulge the extent of the rewiring; a mid-Seventies Fender Starcaster also appers on a few numbers. His effects include a Marshall Shredmaster, DigiTech Whammy, Electro-Harmonix Small Stone phase shifter, Roland Space Echo and a few homemade pedals, including a tremolo. It all goes through a Fender Deluxe 85 and a Vox AC30. Ed O'Brien's guitar setup includes a '67 Gibson ES-355, two recent-model Fender Strats, two Nineties Rickenbacker 360's (one six-string and one 12-string) and a guitar handmade by Plank. Ed runs a pile of effects, including a Lovetone Meatball, DigiTech Whammy, MXR Phase 90, Korg A2, Dunlop Tremolo, three half-rack Boss delays and an AMS digital delay into a Mesa/Boogie Tremoverb and a Vox AC30. All three Radiohead guitarists use .010-gauge Elite strings.
lemgement lemg

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