Le matériel des guitaristes pro(s) - (Sommaire en page 1)

Et j'ajoute que comme Wilson, il doit préférer la formule "tout sur le pédalier" pour réduire les frais de transports induits par un gros rack avec switchers et tout le toutim.
Wilson disait que le planning du groupe (et le sien encore plus lourd où il alterner les projets parallèles dans des pays parfois très éloignés) l'obligeant à beaucoup prendre l'avion il était moins onéreux d'avoir ce genre de système.

Et ça se défend, je trouve que c'est une bonne logique finalement!

Pour avoir vu in flames, et surtout jesper a chaque fois je suis devant!

meme si tout le monde sait quil utilise le 5150 j'ai remarqué et ca j'espere qu'on pourra me le confirmer qu'il n'utilise que le canal vert en crunch. pas le lead! et oui en live pour eviter la bouillie sonore et sortir du mix il n'utilise pas le lead du 5150.

Alors aprés il utilise probablement un preamp dans le rack mais je n'ai pas pu distinguer malheuresement car bien caché.

Le baffle sur lequel il est repiqué est un marshall 1960AHW , pour l'autre je sais pas si c'est idem.

jesper en guitoune les pauls gibson montés en emg 81 et emg 60. il utilise aussi une esp explorer mais rarement.

Jesper sur Les Paul ??? depuis quand ?
Tu ne confonds pas avec Bjorn plutôt ?

Josh Homme recently confessed that he doesn’t own a Les Paul or a Strat. He has a penchant for interesting, used gear and enjoys experimenting with boundaries. His current touring guitars include a MotorAve BelAire, which was made by Mark Fuqua in Durham, NC. He also plays a Fender Tele, a vintage Teisco, and Maton guitars which are made in Melbourne, Australia. His amp rig includes a Supro Sportsman head and a 1939 Gibson EH-150. He plugs into the Supro’s high input with reverb and tremolo. It runs through a ported Klear Sound plexiglass 4x12 cab loaded with Celestions. The Gibson has a 12" speaker and runs through an unnamed 2x12 cabinet. Unfortunately, Homme was not keen on having his pedalboard photographed. We can tell you he has been known to use the following pedals on this tour: the Maestro Parametric Filter, an Ernie Ball volume pedal, a Fulltone Ultimate Octave, a Roland RE-20 Space Echo, and an SIB EchoDrive.

All of John Paul Jones’ stringed instruments are custom made by his bass tech, Hugh Manson. Manson is also a luthier and sells instruments under the Manson name in England. John Paul Jones’ amp rig consists of SWR SM900 heads, SWR Goliath 4x12 cabs (with Eminence drivers and a Foster horn), SWR Son of Bertha 15” cabs (with a Custom SWR driver and a Foster Horn), a Bad Cat Black Cat amp head and a Bad Cat 60-watt combo.

Jones’ pedal board is fairly simple, containing an Electro-Harmonix Bass Big Muff Pi, a Boss SD-1 and a switcher.

Touring musician Alain Johannes fills out the Vultures’ sound on the road. He uses a wide range of gear which includes a hollowbody Les Paul that he recently picked up in L.A.

Pedals: MXR CAE Boost/Overdrive, Voodoo Lab Pedal Power Plus, Electro- Harmonix Holy Grail Plus, Electro-Harmonix POG 2, Moog MoogerFooger Lo Pass Filter, Moog MoogerFooger Analog Delay, Ernie Ball VP Jr., Dunlop MC-404 CAE Wah, MXR ten Band EQ, GreedTone Overdrive, ZinkyTrue Grit Overdrive, Fulltone Ultimate Octave, another MXR CAE Boost/Overdrive, Voodoo Lab pedal switcher, Radial J48 Active Direct Box

Chris Taylor had the most pedals of all the Bears. He had a couple of microphones set-up that went through his pedals; the one up top was for vocals (and might have not gone thorough his pedalboard, but often had a big wash of reverb, as well as tremolo for Knife). The bottom one was used regularly for his trio of wind instruments (flute, clarinet and tenor sax), which he ran through an Electro Harmonix POG (version 1) to transform his clarinet to bassoon to killer whale. It seriously pumps out a lot of bass. Other pedals were a Moogerfooger (Bass?) MuRF, an Akai Headrush 2 looper, a Boss Digital Delay, a Boss OC-3 Octave and a Boss PS-5 Super Shifter. He played both a Rickenbacker and a Hagstrom bass, and all of this was going through to a Musicman Head + Ampeg Classic 4x10 cab. He also had a radio which he used to feed static through his pedals, often looking very frustrated at not getting the static just right, which reminded me a bit of this for some reason.

Ed Droste has a pretty simple setup with nothing too fancy; he has a little keyboard and an omnichord up top, and played a Fender Telecaster through a Fender Twin. Pedals were a Sansamp (Bass Driver?), an MXR Carbon Copy delay, a Electro Harmonix Big Muff Pi NYC and a Boss Tuner. He also had a Boss Digital Delay and a Boss Reverb which I think he ran vocals through. There's also an older EHX Holy Grail and a Small Clone on his board.

Daniel didn't have all that gear as well; he played a few different hollowbodies (a Guild and a Gibson ES series with the one P90 in the neck), as well as a 70s Gibson SG through a bigger Fender combo. He also has a Wurlitzer electric piano (which I like more than the Fender Rhodes). Pedals were an Electro Harmonix POG, a Boss Digital Delay, an older orange Ibanez Compressor, a ZVEX Distortron and a wah of some description, plus a couple of oters.

GRIZZLY BEAR

J'avais pas la berlus c'était bien Hugh manson qui file les basses de Jones sur scene.

Alors il y a un Lemur JazzMutant (Josh Freese s'en sert également)

Pour Echoplex par exemple ?

Merci pour la rapidité de ta réponse