Le matériel des guitaristes pro(s) - (Sommaire en page 1)

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Gabouel
  • Gabouel
  • Vintage Méga utilisateur
Doc Plus a écrit :
L'accordeur rack dans son pedalboard ressemble à un Korg.
Tu suggères que c'est une autre marque ou tu l'as juste pas vu ?



juste pas vu...
fuzzbox85
digital_bath a écrit :
fuzzbox85 a écrit :
Rien de nouveau, ca a l'air d'etre la meme chose que cette video:




C'est quoi la pédale bleu au dessus de la wah et à côté de l'accordeur korg?? Un 2ème accordeur?

A 1min47 il appuie sur un grande pédale, c'est une pédale de volume?




Je réalise juste, il branche sa talk box dans un roland cube... Mais elle n'est pas sensé se placer entre une tete d'ampli et un baffle normalement?
spanish rock band SÔBER...in the studio...
Sick sad world
Pour le nouvel album de Burzum "fallen" même pas encore sorti :
Citation:
"Fallen" was recorded and mixed during two weeks in Grieghallen studios, using a Spectar bass with alembic electronics on a VOX AC50 amp from 1965, a Ludwig drum kit (with a 26 inch kick) from 1975, a Neumann M149 microphone and stereo Schoeps CMTS 501 U microhpones for vocals, an OBH Nordica Harmony 6487, a custom Stig instrument and a Peavey 23 guitar on a Peavey 6505 (120 Watt) amp.
Source : http://www.burzum.org/eng/disc(...)shtml
weiqin
  • weiqin
  • Special Top utilisateur
Je sais pas trop si j'ai raison de poster sa la, mais je suis à la recherche d'un type de son un peu entre billy gibbon et Leslie West, ou ce qu'on peut trouver sur le solo de "only in your heart" d'america.

Un son bien Bluesy et bien puissant quoi, j'ai un ampli à lampe fame vs30 et une custom77 london's burning cs4 équipé en aigu d'un gfs hot lvierpool que je vais remplacer par un seymour duncan peraly gates, ainsi qu'une pedale Ballast trouble booster (que vous devez tous connaitre ^^).

J'ai fait des recherche et je pense qu'il faut que je monte mon niveau de medium (je suis a 8/9 en treble, 4 en medium, et 7 en bass) et éventuellement baissé les basses.

Aussi j'ai pensé au woman tone et poru sa baissé les potards de tone de ma gratte mais j'ai peur que sa rende pas aussi bien et que j'ai un son étouffé dégeu.... une solution contre sa ?

Et si vous avez des conseils pour le reglage de mon matos pour avoir ce genre de son (mix de gibbon et leslie west ^^)
Doc Plus
weiqin a écrit :
Je sais pas trop si j'ai raison de poster sa la

non
Vends Seymour Duncan SM-3 et Méca grover
weiqin
  • weiqin
  • Special Top utilisateur
Désoler, où aurais je du poster alors ?
marigold
Merci pour les strokes et suede!
A vendre :
Les paul de 2008
Firebird non-reverse
weiqin
  • weiqin
  • Special Top utilisateur
Ha bah si y faut faire un topic en plus ! ^^
fuzzbox85
Neil Giraldo, guitariste (et mari) de Pat Benatar de puis plus de 30 ans


Citation:
MGS - Are you still using your BC Rich you used in the early days?

NG - No. I still have two of them. The one you are referring to is an Eagle I that I got when I was playing in Rick Derringer’s band. At the time I was young and broke and only had an SG. They built that Eagle special for me and it was done exactly like I wanted it. I played those guitars for a long time. The other one I have is a green sunburst Eagle I with a Bigsby.
MGS - In recent live shows ive seen you using the GMP guitars and PodPro rackmount. Are you still using these and can you tell us about the GMP guitars? Did you use the Pod direct with it pumped back into the monitors for you or go thru a power amp / cab setup? Have you tried the new Pod xt?

NG - I really like the GMP guitars. They play great and they sound great. They give you exactly what you want. I even requested a different heel that they incorporated into my Roxie. Now that’s called “The Neil Heel” and it comes standard on a lot of their guitars – it’s not like having a bridge named after you but it’s something!
The main reason I like GMP is because they listen to their customers and they sell the same guitar to the guy on the street that they do to the rock star. It bothers me that the big brands build beautiful custom instruments for artists then sell different guitars to their loyal customers. If a guy comes to see me play and then wants a GMP he will have exactly the same guitar that I have. That’s important to me because Patty and I have an extremely loyal fan base and I want to be honest with them.
I have a bunch of Roxies done in all different finishes and pickup/bridge combinations. I should also mention that I paid for all my GMP guitars.

I have used a lot of different amplifiers over the years. I got into the Line 6 thing because they travel well and sound good. We are doing 25+ years of material so I need a lot of flexibility. They can give you just about any flavor that you want. I run them through Marshall cabinets.
I also use a couple Soldano SLO-100 heads. Soldano makes a killer rock and roll amplifier and they stand behind their product. Like GMP they are a company that has become successful by treating their customers right. Also, I’m Sicilian so playing something called Soldano feels right.




MGS - I hear you are a vintage guitar nut these days. How many guitars do you have now? If you could only keep 3 which ones and why?


NG - I am not a guitar collector. I consider my guitars tools and I like to have what I need. Right now I have a bunch of Les Paul Standards (two from 1958,three from 1959 and two from 1960) a 1958 Les Paul Special in TV Yellow, a 1970 SG Standard (from before I worked with Rick Derringer) and a 1957 Les Paul Goldtop. I have a very rare 1965 Fender Strat in Ice Blue Metallic that was a birthday present from my wife. I ruined the collectability by wearing it out. It was like new when I got it. I also have a 1964 Strat that I used for the solo on ‘Heartbreaker’ and a couple older Telecasters (1967 with Bigsby and 1973 Custom) and a 1951 Fender Nocaster, which was made between the Broadcaster and the Telecaster. I have a ’59 Gretsch 6120 and an original White Penguin as well. I have a total of about 95 guitars. If you’re readers are really interested I can have someone make a list and get it to you. I also have a bunch of GMPs and a few custom shop Fender guitars and a Rickenbacker. I had a Gretsch reissue sparkle jet and Elliot Easton but my daughter has hijacked them!
All of my guitars get played and played hard. I don’t baby anything and I keep what I use. I get annoyed by the know it all types that can tell you what kind of knobs were original in 1903 but can’t play their way out of a paper bag. I have had great guitars and crappy guitars but I love to play guitar. I’m always interested in trying something new but buying a $100,000.00 guitar isn’t going to make you a better guitar player.


MGS - Do you use a pedal board? If so whats on it?

NG - I try new things all the time so it’s always changing. I have a Maxon OD-808 and a Maxon compressor. I don’t know the model number of the compressor but it looks like a black. It sounds really good. I also have a few Line 6 pedals. One is a delay and the other is a filter. I have a Way Huge Aqua Puss and a Klon overdrive. I also have an old Vox Wha.
mike larsen
Quelqu'un saurait-il me dire quelle est la pédale que Martin Guevara (Capsula) triture sur cette vidéo vers 4:15

Edit : la vidéo n'apparait pas, je rajoute donc le lien :

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The Trout
Je dirais ça:
“The type of cap is not as important as the value of the cap, for guitar. In an Amp, your cap type is much more important, as the signal is being passed through the cap all the time. In a guitar, you’re not hearing the cap itself, you’re hearing what the cap is impeding”. Lindy Fralin

En ce moment sur effet guitare...