Le matériel des guitaristes pro(s) - (Sommaire en page 1)

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fuzzbox85
Opeth 2011




Exit les Boss GT, welcome l'AxeFX et le nouveau Rack Ackerson

fuzzbox85
Pendant que j'y suis, je fais un scan du livret du CD

lemg a écrit :
Silverchairien a écrit :
Salut salut!!!

J'aurais une petite question ?

Quel réglage utilisé pour obtenir un son à la Lullaby des Cure.

Je disposes de ce matériel :

- Squier Strat Affinity Series
- Fender DSP 65
- DOD Phazer

Je n'arrive pas à bien régler l'ampli je le trouve criard!


Lullaby c'est une basse six cordes jouée dans les aigus, un ampli en son clair (ampli transistor je crois, son Peavey ?), du chorus et du delay. Ne m'en demande pas plus.


Merci pour cet info. Et tant que j'y suis quelqu'un sait comment régler l'ampli pour avoir un son à la Rage Against The Machine ....
slivoid
Angels & Airwaves



Je suis pas assez bon pour détailler les rack, mais je crois avoir vu ce qui ressemble fort à un préamp et un ampli Masrshall dans le rack de gauche.
evilalex
salut
c un marshall jmp 1 et un ampli de puissance marshall 9200
born through sadness
slivoid
Après une recherche rapide, ça a l'air d'être ça

wiki a écrit :
Fender Guitars worked with DeLonge to create the Tom DeLonge Stratocaster (signature guitar) which consisted of a solid alder body fitted with a single Seymour Duncan Invader Bridge pickup. It was controlled by a lone volume knob adding to its simple design. At first, the Stratocasters were fitted with an American 2-Point tremolo system and was later replaced by a hardtail bridge. Its neck was made of solid maple with a rosewood fretboard, although there have been some custom Stratocasters that were fitted with maple fretboards. The necks included a large 1970s "CBS" headstock.

In 2002, whilst touring with Box Car Racer, Tom began collaborating with Gibson to create a new Signature Model. He started off by using a standard Gibson ES-335, with all but the bridge volume knob removed, and the bridge pick-up replaced with a Seymour Duncan Invader bridge pick-up. This guitar was eventually covered with many different stickers including band stickers and clothing line stickers from Atticus Clothing, Macbeth Footwear and Famous Stars and Straps. This guitar can be seen in Box Car Racer live photos and in the studio videos for the Untitled Album. In one of the videos, a prototype for his signature is seen that included an orange stripe instead of cream with a matching orange headstock and a metal volume knob. In 2003, Gibson released his signature model, the Tom DeLonge Signature ES-333, which has only been available since its release in Brown and Cream, with a Natural neck and headstock. Along with his Gibson signature, Tom also used a Fender Jagmaster baritone with single humbucker live, as seen in AOL live sessions with the song "Obvious". The Tom DeLonge Signature starts with Gibson's classic semi-hollow body design and then extends it into punk rock with an overwound 'Dirty Fingers' humbucking pickup. Its thick, distorted tone is the signature sound of DeLonge's band Blink-182.[19] On Angels & Airwaves albums, We Don't Need to Whisper and I-Empire Tom has used his signature Gibson ES-333 for all of his live shows. However, he has a number of touring guitars, which he has had made in a few different color combinations, including matte black with a black racing stripe, natural with a black racing stripe and white with a black racing stripe. Since the Blink-182 reunion, he has been seen using his original brown and cream guitar (which now has a Blink-182 'smiley logo' spray-painted onto the body), his natural and black guitar (which has now been abused with burns, scrapes, and stickers), and a new black and white guitar(made by Baratto), which is a custom Baritone version of his standard signature guitar, made for playing the song "Obvious" and other down-stepped songs. Epiphone has since come out with a lower cost version of the Tom DeLonge signature guitar, manufactured overseas, but fitted with the same Dirty Fingers humbucker.

From very early on in Blink's career, Tom had used a Mesa Boogie Triple Rectifier amp head and a Marshall JCM 900 amp head along with Mesa Boogie and Marshall cabs for live shows. As his career progressed, Tom began using an intricate rack system along with three matching 4x12 and three 2x12 Mesa Boogie cabs. The rack system still made use of the Mesa Boogie Triple Rectifier amp head, but it also included a Mesa Boogie 2:90 power amp and Triaxis preamp, Marshall EL34 power amp and JMP-1 preamp and a Voodoo Labs GCX Audio Switcher, all controlled via a Custom Audio Electronics midi footswitch (The rack discontinued the use of the Marshall JCM 900 amp head). The rack system also included a Furman power conditioner and Shure wireless unit.

For Angels and Airwaves, Tom made use of the same rack system minus the Mesa Boogie Triple Rectifier but also included a TC Electronic G-Force effects unit as well as two Palmer PGA-04 amp simulators (one for the Triaxis preamp and one for the JMP-1 preamp).

For Blink-182, Tom now uses two Fender '65 Twin Reverb Amps for clean and two VOX AC30H2 Amps for distortion.

Tom has started using a synth and oscillator rig for live shows, during the Angels and Airwaves LOVE Tour. His synth rig, along with his guitar effects rig, is now built into a custom tower rack system, which stands by him on stage. Tom also now uses this same system for Blink-182, and plays/samples most of the synths and effects for their songs live.

His vocal setup consists of blue mics – he used the blue kiwi on every album before 'Take Off Your Pants and Jacket'. Now he uses a blue bottle mic running into a Pro Tools set up, where he uses sound toys plugins. His vocals are heavily compressed with a LA-2A compressor, then run through a TC helicon. He runs his sound through Orange amplifiers and records with a snare drum in the room.
yun_clive
Publié sur le compte facebook de Benrod Electro, le pédalier actuel de Steeve Lukather.

Tout être humain peut se développer et même se transformer au cours de sa vie. Il en a le désir et les possibilités.

Gisèle de Failly

#KandideMonModèle
M.Twirly
il est sponso digitech hardwire nan ?
lemg
  • Vintage Ultra utilisateur
Ca doit remplacer ses PCM70 (il avait un rack pour UN programme).

Bradshaw a l'air de vouloir caser des Hardwire à pas mal de clients.
La reverb fait son petit bonhomme de chemin.

Sinon, j'aime bien le concept de retour au pédalier pour voyager léger.
A chaque photo il y a deux ou trois pédales en plus.
lemgement lemg
cutonio
Dionysos en studio cet été :

Millionaire
Je crois que c'est la première fois que je vois du Behringer chez des pros.

En ce moment sur effet guitare...