Le matériel des guitaristes pro(s) - (Sommaire en page 1)

Louis Bertignac :

Outre son ampli Vox ac30, Louis utilise une SG junior un peu modifiée, le manche comporte 4 cases supplémentaires. Le manche est fort souple ce qui donne un effet de vibrato lorsqu'on tire dessus.

Au niveau des pédales, Il utilise trois boosters et un accordeur.
Il se sert du premier booster comme booster principal (TC ?) , puis pour les solos, le deuxième (Eric Clapton ?) et pour des solos bien crades, le 3ème (Jimi?)

VOX AC30
> Accordeur boss (TU-2)
> TC Electronics booster / distortion
> Digitech Crossroad (Eric Clapton signature)
> Digitech Jimi Hendrix
Gibson SG

[/u]

Source : DVD power trio (2006)

Le Vox de Louis est modifié aussi, il a une lampe de préamp supplémentaire et des HP JBL.

Je ne sais pas, quand voit-on ça ? Dans le documentaire, on dirait qu'il a 2 accordeurs boss, en fin et début de série..

a quoi peut bien lui servir 2 accordeurs?

26. What effects pedals does Brian May use?

TC electronics g-force for chorus, pitch shifting. Rocktron intellifex for delays and weird noises. Hughes and Kettner Rotosphere for Leslie simulator. Dunlop rack mount cry baby for Wah-Wah.
[Pete Malandrone]

19. What effects does Brian May use to play Brigthon Rock Solo live?


Okay, in order, from 'Return of the Champions DVD With timings in brackets, for all the anoraks.... sorry experts.

Brian goes from Loop one (CHORUS) on pedal board to loop two (DELAY)

(1.04.24) Delay, from a Rocktron Intellifex XL, 1st repeat 800ms, 2nd repeat 1600ms. Clean signal to middle amp routed straight through the set up, un-effected, via Mike Hill custom switcher. Brian then hits loop number five on his pedal board, marked, strangely enough as 'PITCH'

(1.08.22) 3 part harmony, using the pitch shift section of a TC Electronics G-force. There are 5 different harmony settings for this part of the solo , each programmed on a different pre-set, with one pitch going to the left amp and the other pitch to the right. You can hear the pitch's changing at (1.09.02).

This is switched by Brian, when ever he feels like it, (sometimes on the tour he didn't use this on the solo) via an on-stage Korg midi foot controller. The middle amp is again 'straight through'.

(1.09.52) Back to loop two for end ' Top of the Palace' section.

(1.11.56) I switch Brian to loop one, from a remote off-stage pedal board. I have to be on the ball here, because sometimes I have to guess when the first note of 'Last Horizon' is coming, depending on whether or not I get a nod from the Boss. It doesn't look like I did get a prompt at Sheffield, so in this case, I was brilliant. (Unless I was rubbish, and it was fixed in the mixing stage at the studio)

It's really strange that I had to watch the DVD to remember what went on here. I guess I was in 'Gig mode' at the time, kind of an auto pilot thing, where the laughing and mucking about stop, and responses are so automatic and rehearsed, that you don't actually think about what you are doing.

[Pete Malandrone]

Tony Iommi de Black Sabbath joue sur du 8-32 .... accordé en un ton en dessous en plus!