Le matériel des guitaristes pro(s) - (Sommaire en page 1)

NELS CLINE

Il est repassé sur ces 3 canaux en lieu et place des roadster...



Le voicing est different (plus "sombre" (comprendre bas medium) sur les 3 canaux)

Comme sa au passage le Matériel de Greg Tribbett (Mudvayne)



2X VHT PitBull UltraLead --> Randall XLS 4x12
2X Randall RM100 Head ---> Line 6 DL-4 Delay

Line 6 MM4 Modulation Modeler
Boss LS2 Line Collector
Boss NS 2 Noise Suppressor

Sur Scène :
Whirlwind A/B box
Line 6 DL-4 Delay
Digitech Hyper Phase
Morley Bad Horsie Wha Wha

quelqu'un a des info sur le matos de duff le bassiste des guns?

Mick Box - Uriah Heep





Interview avec son tech:

- The Les Paul that you have set up for him...is it non-stock in any way?

Well the pickups and electrics are all stock. But I have replaced the tuners with Gotoh Locking units, They look just like the originals but they lock the string in place, I have also fitted a Graphtech top nut and a Tonepros bridge. Mick really beats the guitar up so these little modifications just help keep it all in tune.

- What guitars does he take on the road with him?

For live work i carry two Gibson Les Pauls, But number 2 only gets used if we break a string on the main one, A Line 6 Variax Acoustic, And one more regular Acoustic, Which one depends on how Mick feels at the time.

- Does he prefer light or heavy guage strings?

Light strings for sure.. 9 - 42 gauge with a really low action.

- His Amp of choice is a Marshall of course. What head and speaker combination is he using now? Wattage?

We favour the JCM 800 or 1959 SLP heads all 100 Watt, And the 1960 4x 12 straight fronted cab.

- Does he have spare heads in case his main ones blow?

We always have at least two amps

-Box Net Are his Marshalls modified in any way?

No

- Net In the past, his pedal board was quite a bit "fuller" - what's the effects he has on the floor these days?

When i started Working for Mick he gave me a free hand to get him the best sound i could, Too many pedals in the line just suck the signal from your sound. I trimmed it down to just what we need and got the best for the job, A Boss pedal tuner, Boss Chorus, Boss Delay, Marshall Guv'nor, Radial Tonebone, Crybaby Wha and Morley Volume pedal.

- Speaker attenuator - still use one?

Yes i do.. THD Hotplate, Simply the best you can get..

- Does Mick use a distortion box at all or is it just a cranked up Marshall/Les Paul combination or is it the speaker attenuator as well?

We have the Tonebone or Guv'nor on at all times just to "Round" out the sound a little, Then Mick can turn them off to clean up his sound a bit when he needs it.

- He has a great compressed sound live and even more so on record. How does he get that live?

We have no compression on his guitar, The sound you hear out front is down to Charlotte and her magic!
-
The Wah... Over the years, he has had a few different varieties - what's the current model he uses? What's his favorite? Is his wah-wah modified in any way?

He now uses the original Dunlop Crybaby, It really is the best . We had one hot rodded by Robert Keely which sounds ok, But if it ain't broke don't mess with it... Dunlop got it right first time.

- Acoustic Guitar: What does he use as his fav? What kinds of Strings? Does he Mic it live with an onboard pickup or is it picked up by his vocal mic?

Mick has some very nice Acoustics By Furch and Martin, But live we mostly use the Variaxe, It's a Modeling guitar which means it can sound like just about any guitar you can think of Including 12 string, Sitar and BANJO (dont ask) Again he has light gauge strings 11 gauge Phosphor Bronze . This goes into an AER acoustic amp sat between Micks Monitors then fed to the Monitor engineer and to Charlotte out front.

Tiens man, c'est ce que j'ais trouvé sur le net pour Duff Mc Kagan:

Bass guitars:

McKagan's longtime main bass was a white mid-'80s Fender Jazz Bass Special, which had been pieced together with an ash body, a maple neck and a rosewood fretboard. Currently McKagan only uses it during recordings. The bass has also been replicated and released as a Duff McKagan signature P Bass[5] model in October 2007 by Fender, several copies of this bass were also built by the Fender Custom Shop in the original and various other finishes to be used during tours. McKagan has also become a fan of the new Fender Aerodyne bass as well as the more expensive Duesenberg Star basses. In the past, he used Kramer basses, most notably in the Sweet Child O' Mine video and a Gibson Les Paul standard bass. He exclusivley uses Seymour Duncan Pickups and Rotosound swingbass strings. In addition to bass McKagan also plays an acoustic Guild guitar on various acoustic songs such as Patience.

Amplification

McKagan has been using Gallien-Krueger amplifiers throughout his entire career, his first being a GK400RB model. He used up to four Gallien-Krueger 800RB heads with GK 4x10 and 1x15 cabinets with Guns N' Roses. His current set up includes a Gallien-Krueger solid state 2001RB head, however a second head is brought along as a backup. His signal is then fed to four GK 4x10RBH which gives him sixteen speakers being run by one head putting out 1080 watts. For effects he usually only uses a chorus effect most often a Yamaha SPX-90 or occasionally a Boss pedal.[6] Other effect he's been known to use are the Z-vex Wooley Mammoth fuzz and an MXR M-80.

j'ai trouvé ce site aussi www.musiciansgear.fr on peut trouver aussi le matos de pas mal de musiciens..c'est plutôt pas mal mais encore un peu jeune ça manque de shredders héhé ciao ciao [/url]

salut
le all tube de dave gilmour

Comme dirait un membre de SoF : "C'est beau, j'en chialerais !"

Sacrée session que ces Abey Road avec une bonne collection de titres d'exception. Rien que la fin d'Echoes improvisée en acoustique, et ces gus qui nous refont les choeurs de la fin comme mi-70 lorsque le morceau s'appelait encore "The Sons of Nothing". Mais bon, là, je m'égare...

A noter la modif faite par Pete Cornish depuis les années "Delicate Sound of Thunder" sur la pédale de Volume E.B : un seul cable en Send-Return pour la relier au pédalier, XLR côté Volume et Jack stéréo (forcément...) côté pédalier.

J'ai d'ailleurs tendance à préférer le son de ce second pédalier à lampe, M. Cornish a amélioré sa technique depuis 99. Mais à chaque fois, la classe tant au niveau de l'apparence qu'au niveau du son.

Merci pour ces belles photos .

Fmat

Second DVD!

L'album en entier est génial.

d'ailleur je me demande combien ca coute un all tube quelqu'un a une idée ??

Un chiffre avait circulé à l'époque.
Mieux vaut pour toi que tu l'ignores.

un dernier sur gilmour


il utilise une keeley fuzz head le coquin