TOM PETTY
Pour la tournée 2010.
http://www.hugeracksinc.com/fo(...)68700
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Here is a small board finished this weekend for Tom Petty. I got the call on Friday. "Tom needs a new board, these are the pedals he wants- overnight it to us". Dave at True Tone was kind enough to hook me up with all the pedals. Even a used Boss RV-3. I could not find a Red Llama, so I recommended the XTS Fuzzy Tube Driver. It is similar to a RL but fatter and more versatile. The signal chain is as follows: Custom interface---Teese RMC-5--Boss RV-3---XTS Fuzzy Tube Driver---Keeley Mod TS-9--Lexicon MPX-500---Tape Echo. A interface was designed to be an insert with on/off and a tap tempo for a Lexicon MPX-500 in the rack. The Echo box turns on and off the a Fulltone Tape Echo. TP & The Heartbreakers are in Denver kicking off the the Mojo Tour. Should be an amazing show.
David Phillips
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The Lexicon is in front. I think he is using a Vox.
Et là, certains devraient s'interroger.
Avant, il utilisait ça :
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Left guitar boat (left to right):
’70s Guild D25-12 12-string, stock ’05 Gibson J-200, ’05 Gibson J-200 Tom Petty Wildflower model, ’87 Gibson Everly Brothers model (Tom also has a duplicate Everly model on tour, though not pictured), and another ’70s Guild D25-12. All of the acoustics are fitted with prototype L.R. Baggs stereo pickups (that were installed by Mr. Baggs himself.) Continuing on, the electrics are: ’66 sonic blue (refin) Fender Telecaster, ’60 blonde Fender Telecaster, ’64 fireglo (cherry sunburst) Electro (made by Rickenbacker) model ES-17 single pickup solidbody, ’80s fireglo Rickenbacker 620/12 solidbody 12-string, ’67 Gretsch Tennessean 6119.
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Right guitar boat (left to right): ’67 mapleglo Rickenbacker 360/12 hollow-body 12-string, ’64 Fender Stratocaster (Tom’s main guitar from the early days.), ’76 sunburst Gibson Firebird V (two mini humbuckers, reverse-style body, with “banjo” tuners), ’63 white (refin) Fender Stratocaster, ’97 fireglo Rickenbacker Tom Petty Model (un-bound 330 style hollow-body with f-hole and early-style trapeze tailpiece), mid-’60s fireglo Rickenbacker “Rose-Morris” (UK export) model 1993 hollow-body 12-string, ’66 white Vox Mark VI teardrop, ’67 blonde Fender Esquire, and a ’63 Gretsch 6122 Country Gentleman (George Harrison-style).
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PEDALS
From Tom’s electric guitar, the signal is sent to (right to left): vintage Maestro Phase Shifter, daisychained
to: RMC wah, Boss CE-2 Chorus, Demeter Amplification Tremulator, Boss RV-3 Digital
Reverb/Delay, Ibanez TS9 Tube Screamer, Way Huge Electronics Red Llama (overdrive), and through
a modified Boss on/off pedal (The on/off switch operates the Lexicon processor in the rack.), then to
the input of the Marshall head. The black on/off switch in the lower left corner activates the acoustic
guitar signal. A Voodoo Labs Pedal Power 2 supplies D.C. to the pedals.
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AMPLIFIERS & SPEAKER CABINETS
The red ’69 Marshall JPM50 “plexi” head— with both channels jacked together— drives the left Vox speaker cabinet (nicknamed “George). The matching late-’60s Vox Super Beatle head (120-watts, solid-state) occasionally drives the Vox cabinet to its right (nick-named “Ringo”). The right Super Beatle head is not used. The Super Beatle cabinets are loaded with four stock 12-inch Vox Bulldog speakers. The white ’07 Hiwatt Custom 50 head is a backup.
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RACK
Tom’s acoustic rack contains (top to bottom) a Lexicon MPX 500 (digital reverb processor), a Fender Mini-Twin (used for emergency tuning checks), an Ampeg Tube DI (spare), a Peterson StroboRack Tuner, a generic input bay, six more Ampeg Tube DIs (one for each of the acoustic guitars), a Furman PM-Pro Series II Power Conditioner, and four Avalon U5 Pre-amps.
lemgement lemg
