- Steb.
-
Custom Top utilisateur
Suite du matos de Slash :
La pédale de Delay
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Delay settings:
Normal settings (slap delay)
Level: 9.30 o’clock
Feedback: 10 o’clock
Delay time: 10 o’clock
Mode: 800ms
Slither settings
Level: 11 o’clock (sometimes 12 o’clock)
Feedback: 13 o’clock
Delay time: 13 o’clock
Mode: 800ms
Set Me Free
Level: 11 o’clock
Feedback: 7 o’clock (completely rolled back)
Delay time: 9.30 o’clock
Mode: 800ms
Pour l'équa MXR :
Adam Day (Guitar Tech de Slash depuis plus de 15ans) explique les réglages
"The E.Q. is basically just set as an upside down smile, meaning the mid-range is boosted, fading off at the high end. The input gain is right around 6db with the output about 0, and is used just for leads. The delay is actually a dd-3 and is basically used as a slap delay for solos. Also, a longer delay setting is used for selected parts, such as Slither.
Hope this helps.
All the best, Adam.”
LonelyShark a écrit :
Voici ce que j'ai trouvé à propos des réglages de Slash pour :La pédale de Delay
Delay settings:
Normal settings (slap delay)
Level: 9.30 o’clock
Feedback: 10 o’clock
Delay time: 10 o’clock
Mode: 800ms
Slither settings
Level: 11 o’clock (sometimes 12 o’clock)
Feedback: 13 o’clock
Delay time: 13 o’clock
Mode: 800ms
Set Me Free
Level: 11 o’clock
Feedback: 7 o’clock (completely rolled back)
Delay time: 9.30 o’clock
Mode: 800ms
Pour l'équa MXR :
Adam Day (Guitar Tech de Slash depuis plus de 15ans) explique les réglages
"The E.Q. is basically just set as an upside down smile, meaning the mid-range is boosted, fading off at the high end. The input gain is right around 6db with the output about 0, and is used just for leads. The delay is actually a dd-3 and is basically used as a slap delay for solos. Also, a longer delay setting is used for selected parts, such as Slither.
Hope this helps.
All the best, Adam.”
