bon suite aux posts plus haut je vais un petit briefing sur le A3/A2 je verrais pour les SDD demain...
deja le A3 en photo .
![]()
celui en flight mou et muni d'un pédalier de commande fc-06
![]()
celui ci bien au repos sur un VOX , c'est ce d'un ami portugais qui ne la plus je pense , j'ai d'ailleur faillit le prendre .
je passe au A2
![]()
paisible sur la moquette avant de faire chauffer la poudre.
![]()
tres belle exemplaire en tre bon etat , belle ecran bleuté et en cofiguration d'origine avec le preset vintage de selectionner sur le canaux 88...
voila pour la présetation , ses deux racks bénéficie chacun de 100 presets d'usine que l'on peu augmenter a l'aide d'une ram card ...
![]()
voila celle que j'utilise et qui en plus des 100 presets d'origine , m'en rajoute 100 autres stocker sur la ram , donc 200 presets au total ce qui me permet de ne pas toucher a ceux du programme spc-01 et de les bidouiller dans tout les sens a partir de 101 , car la ca repart a 101 a 200
et c'est les meme au depart que de 1 a 100 , apres on retouche , on teste etc etc...
sans compter les preset d'origine des deux multieffets , il y a possibiliter a l'aide du midi et plus précisément d'un cable midi /usb de charger ce que l'on appelle les programme SPC...
•Original 20
•SPC-01 Guitar I
•SPC-02 Studio
•SPC-03 General Purpose
•SPC-04 Guitar II
•SPC-05 Keyboard
•SPC-06 New York City
•SPC-07 Nashville
•SPC-08 Steve Howe
•SPC-09 Elliot Easton
voila sans compter le premier qui est en faite les presets originaux du A3 il y a 9 programmes , donc une possibiliter quasi infini de faire varier son korg suivants ses envie , ses besoins musicaux etc...
le plus connu et utiliser par the edge est le SPC-01
KORG A3
SPC-01
EFFECTS PARAMETERS
PERFORMANCE PARAMETERS
PROGRAMS
--------------------------------------------------------------------------------
EFFECTS PARAMETERS
HARD DISTORTION HDST/TOD
A-DRIVE
B-LEVEL
C-BASS GAIN
D-MID-fc
E-MID GAIN
F-TREBLE
AUTO WAH WAH1 WAH2
A-SENSITIVITY
B-CUTOFF FRQUENCY
C-RESONANCE
D-ATACK TIME
E-RELEASE TIME
SPACE PHASE SPH1 SPH2
A-SPEED
B-DEPTH
C-MANUAL
D-RESONANCE
MULTI-TAP DELAY MTD1~MTD6
A-DELAY TIME L
B-DELAY TIME R
C-FEEDBACK TIME
D-FEEDBACK GAIN
E -AMBIENCE
F-EFFECT BALANCE
LONG DELAY LDLY1~LDLY3
A-DELAY TIME
B-TIME FINE
C-FEED BACK
D-HIGH DAMP
E-EFFECT BALANCE
--------------------------------------------------------------------------------
SPC-01 PERFORMANCE PARAMETER
Chain ## A B C D E F
A0 DRIV
DISTORTION SENS
AUTO WAH BLND
EXCITER DlyT
DELAY EBAL
MODULATION EBAL
REVERB
A1 DRIV
Hard Distortion BLND
EXITER DlyT
DELAY EBAL
MODULATION EBAL
REVERB -------
A2 DRIV
Hard Distortion DlyT
Long Delay E.rT
Early reflection EBAL
REVERB -------- -------
A3 DRIV
Hard Distortion BLND
EXCITER EBAL
MODULATION DlyT
Stereo Delay EBAL
REVERB -------
A4 SENS
COMPRESSOR BLND
EXCITER SPD
Space Phaser TONE
3 Band EQ EBAL
Multi-tap Delay EBAL
REVERB
A5 DRIV
Hard Distortion BLND
EXCITER SPD
Space Phaser EBAL
Multi-tap Delay DlyT
Stereo Delay -------
A6 DRIV
Hard Distortion BLND
EXCITER SENS
COMPRESSOR DlyT
Stereo Delay EBAL
REVERB -------
A7 DRIV
Hard Distortion DlyT
Long Delay PTCH
Pitch Shifter EBAL
REVERB ------- ------
A8 DRIV
Hard Distortion BLND
EXCITER ------- DlyT
DELAY EBAL
MODULATION DlyT
Stereo Delay
A9 SENS
COMPRESSOR PTCH
Pitch Shifter BLND
EXCITER EBAL
Multi-tap Delay EBAL
REVERB ------
--------------------------------------------------------------------------------
## / CHAIN /PROGRAM NAME
Distortion programs for guitar Amps
01/A1/VALVES1 British high gain valve type amp sound
02/A1/VALVES2 Warmer sound than VALVES1
03/A7/PROCESD High gain with a lot of signal procesing
04/A7/BIRDTWO Any guitar,but partcuarly great with humbucking neck pick up
05/A1/MONEY Blves type distortion with room simulation
06/A1/Mtl Joe Bridge humbucker "Metal"
07/A2/CRUNCH Slight saturation sound for rock&roll rhythm
08/A1/HIGAIN1 "MIDS BOOSTED"
09/A6/HIGAIN2 Mids cut
10/A6/SCORCH! Use neck Position Single coilor humbucking pick up
11/A2/ER TAP Early reflections used as delay or hard reverb sound
12/A6/Noisy Great for solo with Picking-harmonics or Tapping
13/A1/HotTube Warm tube type overdrive or saturation
14/A2/PedalOD Pedal overdrive simulation
15/A6/SUSTAIN Use neck position single coil pick up
Will also work with neck position humbucker
16/A3/Rocktone Slight overdrive.Use single coil neck pick up
17/A6/OneCoil Named one coil but works great with humbucker also
18/A6/TURBO Dark high gain overdrive
19/A1/NeckPU1 Slight overdrive good for blues
20/A1/NeckPU2 Slight overdrive use neck position pick up
21/A7/GRUNGE This one's great for dirty rhythm sound for rock&roll
22/A2/OvrHard Overdrive with frozen flange or phase.Works well for soloing
23/A5/HotFAZE Distortion and heavy phasing
24/A8/HvyWah High gain distortion and pedal wah
25/A8/CryWah Slight tube type overdrive and pedal wah
Great with single coil neck pick up
26/A8/Tubewah Overdrive and pedal wah
27/A0/TieDyed Real early 70's!
28/A6/Arm&Tap Good for solo with vibrato bar or tapping
Distortion programs for PA or MTR
Three basic distortion programs.Each one has a different tone charactor
29/A3/L-Dist1
30/A6/L-Dist2
31/A6/L-Dist3
Three basic overdrive programs.Useful for writing original patches
32/A3/L-Tube1
33/A6/L-Tube2
34/A6/L-Tube3
ER (EARLY REFLECTION )
Following six programs are great for solo particularly Hard rock or Metal
With early reflection.realize "Fat" sound and "Live" ambience
35/A2/HMSolo1
36/A2/HMSolo2
37/A2/HMSolo3
38/A2/HMSolo4
39/A2/HMSolo5
40/A2/HMSolo6
41/A1/PAGE'72 Bright distortion with room reverb.Great with humbucker
42/A1/ModTube Tube type guitar natural ambience
43/A1/SLASH!! Real slash metal!
44/A7/DblDst1 Chorus efect by pitch shifter without modulations
45/A7/DblDst2 Add delay to #44 Good for slow phrase
46/A3/METALIC Up to date sound
47/A5/LongFZ Great for slow phrase or long tone
48/A3/AmbiDst Distortion sound with good ambience
49/A5/FZSolo1 Space phaset with slow modulation
50/A5/FZSolo2 Heavy and bright phase program with very slow modulation speed
51/A5/FZSolo3 Heavy phase shift sound
52/A5/FZSolo4 Tap delay added to #51
53/A8/WildCat Pedalwah with chorus and delay
54/A8/HellCat Deep ambience added to #53
55/A8/TomCat Wah with deep modulation
56/A0/TlkWAH1 Talking wah Simulation with auto wah and distortion
57/A0/TlKWAH2 Talking wah with peak in the Mid range
58/A0/TlKWAH3 Auto wah with heavy filtering in the low range
59/A0/TlKWAH4 Auto wah with filtering in the low range
60/A5/TalFL Taking wah with space flanger
61/A5/JetFAZE Jet sound with flanger
62/A1/JetFlng Jet sound with flanger
Non Distirtion programs
63/A9/CLEAN! A very clean compressed sound with a long Plate reverb setting
64/A3/Usefull Very versatile program with Stereo delay
Chorus and Plate reverb.
Distirtion can be switched in and out for solos
65/A3/Useful2 Very versatile program with Stereo delay
Chorus and Plate reverb
Overdrive can be switched in and out for solos
66/A3/CryMARY Late 60's Phase type sound with Multi tap delay added
67/A4/FazeTAP Clean sound using Space Phaser and Multi tap delay with room reverb
68/A9/120BPM When playing at 120 beats per Minute
The Multi tap delay setting will repeat as 8th notes
69/A9/CLrSolo Long delay programs good for slow phrase
70/A9/AmbiTAP Multi tap delay setting at 200ms and 260ms for an "ambient" type sound
71/A9/CIRCLES Delay sound moves from right to left and then repeats center left
72/A9/FastTAP Fast Multi tap delay setting with Pitch shift
73/A9/SlapTAP An ambient "slap" (100ms) delay time setting
74/A0/WAHROOM Auto wah effect with auto wah
75/A0/CLUCK Fairly dry effect with auto wah
76/A5/FunkWah Good for funk style rhythm guitar
77/A0/WAH&DLY Useful program with Delay and auto wah
78/A0/MuteCut Auto wah program for rhythm guitar
79/A0/Face In Simulates Filter opening .Good for long notes
80/A4/FAZEDLY Good modulation for slow arpeggio
81/A1/Aco.Gtr Simulates flat top guitar sound .Great with single coil pick up
82/A5/Rainbow 70's Analog phase and Tape echo sound,great with single coil pick up
83/A0/E-Sitar Good for rear pick up . Adding overdrive is also interesting
Special Effects
84/A2/SlowBOW Effect using early reflection and distortion
85/A2/B.MAY Sound on sound program
86/A4/Cosmic1 Special effect with phaser
87/A5/Cosmic2 Hevier than #86
88/A7/Detune1 Good for chromatic or whole tone scales
89/A9/Detune2 Good for chromatic or whole tone scales
90/A4/COMET Sound flies over from left to right
Programs for Demostrations (guitar Amps)
91/A0/SURFING Soft auto wah is good for solos,great with rear pick up
92/A5/EAGLE Phase sound with smooth rotation ,good for rock music
93/A4/Violet Compressor and phaser for mellow solos
Good for single pick up
94/A1/Lagoon A clean chorus program,good for fusion music solos
95/A1/HumBack Straight sound for Rock music
Good with neck position humbucker
The following six programs are patches showing the new effects of SPC-01
All other effects are Bypassed
96/A9/MTapDLY
97/A0/AutoWah
98/A4/S.Phase
99/A2/Tube OD
110/A3/HardDST
je vais en mettre un autre le SPC-09
EFFECT PARAMETERS
The SPC-09 includes 7 new effects with a total of 19 effect variations.
COMP/LIMITER [C/LM]
- This effect can be used as compressor or limiter because of the wide range of the ratio parameter.
PARAMETERS
A THR
Threshold Level 0~100 Determines the level where compression begins. The larger the value, the more compression.
B RATO
Ratio 0~100 Determines intensity of compression. At value 0, input/output ratio is 1:1, at value 100, ratio is 100:1.
C ATCK
Attack 0~30 Determines the strength of the attack. The attack is stronger at high values.
D REL
Release 0~30 Determines the release time. The larger the value, the longer the release time.
E LEVL
Out Level 0~100 Determines the output level.
HARD DISTORTION 2 [HD2, TOD2]
- These two distortion effects simulate the sound of amplifier type distortion. When used in conjunction with the new 3 band EQ, a wide range of distortion effects are easily created.
VARIATIONS
- HARD DIST 2 [HD2]: High gain distortion effect.
- TUBE OVERDRIVE [TOD2]: Warm tube overdrive effect.
PARAMETERS
A DRIVE
Drive 0~100 Amount of distortion applied to the input signal.
B LEVEL
Level 0~100 Output level of distortion sound.
SUPER DISTORTION [SDS 1, SDS 2, SOD 1, SOD 2]
- The SUPER DISTORTION consists of four variations of distortion effects. These new distortion and overdrive effects simulate the same harmonics found in natural guitar amp distortion and distortion pedals.
VARIATIONS
- SUPER DISTORTION 1 [SDS 1]: The most aggressive distortion sound.
- SUPER DISTORTION 2 [SDS 2]: Warmer distortion sound.
- SUPER OVERDRIVE 1 [SOD 1]: Strong overdrive sound.
- SUPER OVERDRIVE 2 [SOD 2]: Soft overdrive sound.
PARAMETERS
A DRIV
Drive 0~100 Amount of distortion applied to the input signal.
B LEVEL
Effect Level 0~100 Output level of distortion sound.
C MODE
Output Mode AMP 1,
AMP 2,
LINE Selectable EQ curves for specific amplifier or direct to console applications.
Amp variation 1: AMP 1
Amp variation 2: AMP 2
Direct to console: LINE
NEW 3 BAND EQ (3 band EQ)
- This new 3 band EQ was designed specifically for use with guitar and particularly guitar distortion effects.
PARAMETERS
A BASS
*Bass Gain -12~12 Determines the gain of the low frequency range.
B M-Fc
Mid Frequency 0.55K~8kHz Determines the cut off frequency of the mid frequency range.
C M-Q
Mid Q 2~5 Determines the range over which the amount of boost, or cut, effects. The larger the value, the smaller the effected range.
D MID
Mid Gain -12~12 Determines the gain of the middle frequency range.
E TRBL
*Treble Gain -12~12 Determines the gain of the high frequency range.
F TRIM
**Input Trim 0~100 Adjusts input level to prevent from overload distortion.
* Peaking EQ
** This parameter helps to adjust program level when using Distortion effect. Also, when using high EQ levels, the trim level should be reduced to eliminate digital clipping.
MULTI-TAP DELAY [MTD1~MTD6] (Multi-tap delay group)
- This delay effect has 2 selectable delay times. A third delay time can be set for the feedback loop and an ambience parameter allows spreading the delay times in the stereo field.
VARIATIONS
- MT DELAY 1 [MTD1]: Repeats right to left.
- MT DELAY 2 [MTD2]: Three fast repeats right and then left, repeats decay.
- MT DELAY 3 [MTD3]: A "hard reverb" setting moving from right to left.
- MT DELAY 4 [MTD4]: Slight movement from right to left then fast repeats at center.
- MT DELAY 5 [MTD5]: One repeat right to left and then repeats seem to multiply as they decay.
- MT DELAY 6 [MTD6]: Stereo ambient type delay setting with fast decay and high diffusion.
PARAMETERS
A
DT-L DELAY TIME L 0~800 msec Sets the delay time of the left channel. (10 msec steps)
B
DT-R DELAY TIME R 0~800 msec Sets the delay time of the right channel. (10 msec steps)
C
FB-T FEEDBACK TIME 0~800 msec Sets the delay time of the feedback loop.
D
FB-G FEEDBACK GAIN -99~99 Sets the amount of feedback.
E
AMB AMBIENCE 0~20 Sets the position of the two delay taps. The larger the value, the wider the delays are spread out in the stereo field.
F
E BAL EFFECT BALANCE 0~100 Sets the balance between the direct sound and the effect sound. A higher setting raises the effect signal.
LONG DELAY [LDLY1~LDLY3] (Long delay group)
- Double the A3 internal maximum delay time. (1600 msec max.)
VARIATIONS
- LONG DELAY 1 [LDLY1]: A doubling delay effect. (33.5 msec)
- LONG DELAY 2 [LDLY2]: A medium delay setting. (333.3 msec)
- LONG DELAY 3 [LDLY3]: A very long delay effect. (1600 msec)
PARAMETERS
A
TIME DELAY TIME 0~1600 msec Sets the delay time. (10 msec steps)
B
FINE TIME FINE 0.0~9.9 msec Sets the delay time. (0.1 msec steps)
C
FBAK FEEDBACK -99~99 msec Sets the amount of the feedback.
D
DAMP HIGH DAMP 0~99 Cuts the high frequencies in the feedback loop. The larger the value, the darker the sound.
E
EBAL EFFECT BALANCE 0~100 Sets the balance between the direct sound and effect sound. A higher setting raises the effect signal.
TREMOLO [TRM 1, TRM 2]
VARIATIONS
- TREMOLO 1 [TRM1]: TREMOLO with a sine wave (~) modulation.
- TREMOLO 2 [TRM2]: TREMOLO with a triangle wave (//) modulation.
PARAMETERS
A SPD
Speed 0.05~10.0 Hz Sets the modulation speed.
B DPTH
Depth 0~100 Sets the depth of the tremolo effect.
SPC-09 NEW EFFECT PARAMETER CHART
GROUP EFFECT VARIATION PARAMETER
A B C D E F
COMP/LIM COMP/LIMITER THRESHOLD
0~99 RATIO
0~100 ATTACK
0~30 RELEASE
0~30.0 OUT LEVEL
0~100
S. DIST SUPER DISTORTION 1~2
SUPER OVERDRIVE 1~2 DRIVE
0~100 EFFECT LEVEL
0~100 OUTPUT MODE
AMP 1~2
LINE
H. DIST HARD DIST
TUBE OVD DRIVE
0~100 EFFECT LEVEL
0~100 BASS GAIN
-12~12 MID FREQ
0.55~8.0 kHz MID GAIN
-12~12 TREBLE
-12~12
3B EQ NEW 3 BAND EQ BASS GAIN
-12~12 MID FREQ
550~8k (Hz) MID Q
2~5 MID GAIN
-12~12 TREBLE GAIN
-12~12 INPUT TRIM
0~100
MULTI-TAP DELAY MULTI-TAP DELAY 1~6 DELAY TIME
LEFT
0~800 msec DELAY TIME
RIGHT
0~800 msec FEEDBACK TIME
0~800 msec FEEDBACK GAIN
-99~99 AMBIENCE
0~20 EFFECT BALANCE
0~100
LONG DELAY LONG DELAY 1
LONG DELAY 2
LONG DELAY 3 DELAY TIME
0~1600 msec TIME FINE
0~9.9 msec FEEDBACK
-99~99 HIGH DAMP
0~99 EFFECT BALANCE
0~100
TRM TREMOLO 1~2 SPEED
0.05~10.0 Hz DEPTH
0~100
voila pour les autres l'excellent site que voici
http://www.korgaseries.org/downloads.php
le manuel du A2
http://www.korgaseries.org/pdf(...)l.pdf
le manuel du A3
http://www.korgaseries.org/pdf(...)l.pdf
voila j'ai mis un temps a savoir qu'en faite le A2 est légérement plus avancé que le A3 au niveau de la stéreo et diverse petites chose mais bon le A3 est dans le rack de the edge alors....
voila pour la mise a jour il suffit de vous rapporter a la pages 117 ou j'ai indiquer la démarche a suivre pour les différentes mise a jour .
voila a tres bientot et acheter plein de korg c'est de la balle
