Grouic a écrit :
Citation:
Sinon Dazed, moi je suis fan du 2000, je préfère le son de la video de Nuno que celles que tu a mis, desolé mais les gout et le couleurs. Sinon pour moi le son woody c'est le son de l'intro de Nuno, apres c'est vrai que ces mots varient en fonction de ceux qui les utilisent
Oui, enfin woodie, c'est surtout le terme qu'on utilise pour parler d'un son de guitare à caisse type 335, 175, Super 400. Pas d une N4 dans un JCM2000.
La definition varie vraiment en fonction des personnes qui l'utilise :
http://www.woodytone.com/qsas/
What is WoodyTone?
If you have to ask, then I’m not sure I can help you. But I’ll try because really, it’s not too tough.
WoodyTone is exactly what it sounds like, including the double entendre. To me it’s an electric guitar (wood) into an organic amp (tubes), along with everything in the signal chain (pickups, strings, pedals). But the end result is a four-letter word: TONE.
You know it when you hear it. Let’s take a few well-known guitar examples, by musician:
> Edward Van Halen’s “old” sound = Northern ash body + maple/maple neck + old Gibson PAF pickup + vintage Fender bridge + nickel ultralight strings + chain a couple of old Marshalls together with pedals and EQs here and there + play like Ed = WoodyTone.
> Angus Young = Old Gibson SG + old Marshalls + hit the strings hard + keep it deceptively simple = WoodyTone.
> Jimi Hendrix = Upside-down alder/maple Strat + a pile of effects + old Marshalls + Jimi = WoodyTone.
> Duane Allman = Les Paul or SG + old Marshall head + Coricidin bottle + unbelievable feel = WoodyTone.
> Stevie Ray Vaughan = ‘59/’61 Strat (alder/pao ferro) + HEAVY strings (13s) + Ibanez TS-808 Tube Screamer + Vox or Crybaby wah + Fender amps (Blackface 1967 Super Reverb and/or tweed 1959 Bassman) + hands that could choke an ox = WoodyTone.
The examples could go on and on, thankfully (Billy Gibbons, Joe Walsh, Yngwie Malmsteen, Joe Perry, Ace Frehley, Derek Trucks, Ronnie and Keith, etc). In the guitar realm, it’s not all vintage sounds — though it is often “vintage” players. For example, George Lynch of ’80s Dokken fame (and a diehard tone-hunter) has gotten WoodyTone out of a baritone electric with EMGs and high-gain modern amps. So it can be done.
WoodyTone also is a big part of jazz, the blues and other forms of music: Ever hear Michael Hedges? You might love WoodyTone basses, WoodyTone drums, who knows what else is out there.
Bottom line: You know it when you hear it. WoodyTone = ToneWoody (as in “you get one” — ladies, please substitute the word “excited” for “one”).
Sinon Guiloop j'espere trouver un soldano pour tester
Merci
awai a écrit :
@Tinio : Je comprends mieux ton engouement pour le 2000, effectivement si tu aimes les sons bien secs, ça t'irait infiniment mieux qu'un marshall "old school"...
Oui j'aime vraiment ce genre de son
Avec des basses bien sec, un ampli qui ne "fuzz" jamais, pas gras.... miam
Attention, c'est le son que je recherche en ce moment en complément de mon autre ampli (vachement plus vintage). Y'a aussi sec mais organique, et il y'a sec "transistor"....
