Aucune idée, je n'ai jamais utilisé le Behringer…
12.03 beta :
http://forum.fractalaudio.com/(...).html
La possibilité de transposer un user scale a été ajoutée à ma demande, cela permet d'éviter d'avoir à programmer une nouvelle user scale si on veut jouer dans une autre tonalité. Par exemple, j'ai un user scale qui harmonise à la tierce une gamme spanish flamenco en mi bemol ; il sera désormais possible d'utiliser cette user scale dans n'importe quelle gamme, pas uniquement mi bémol
La liste complète des nouveautés :
Changed “Copy Out1 to Out2” option to “Output 2 Echo”. Choices are “None”, “Output 1”, and “Input 1”. This allows echoing the main input to Output 2 for reamping use (thereby bypassing the Noise Gate). Note that the echo feature will not function when an FX Loop block is present in a preset as the FX Loop has priority.
Added Bright and Sat switches to Advanced menu in Amp block. This allows connecting a Modifier to these switches for various uses, i.e. engaging via a foot controller.
Added Dump feature to IR Capture utility. After an IR has been captured pressing this button will dump a full, unprocessed, 8K sample IR to the USB port.
Greatly improved “cathode squish modeling” for cathode biased power amp models. This improves the feel for affected amp types, i.e. Class-A, Mr Z, etc. Two new parameters have been added which allow the user to alter the pertinent variables: Cathode Squish and Squish Time. Cathode Squish sets the amount of bias shift due to cathode voltage rise and Squish Time sets the time constant of the cathode network. These parameters are set to default values upon selection of an amp type. Setting Cathode Squish to zero defeats the cathode squish modeling.
Added “Mr Z MZ-8” amp model based on a Dr. Z MAZ-8.
Added “Car Roamer” amp model based on a Carr Rambler.
Added “USA Sub Blues” amp model based on a Mesa Subway Blues.
Added "Wrecker Lvrpool" amp model based on a Trainwreck Liverpool.
Added Key parameter to Pitch block Custom Shifter. This applies to both scales and transposes the scales to the desired key. For example, if a Custom Scale is configured such that its root is A and you want to play in the key of G you would simply set Key to ‘G’. Internally the Axe-Fx II assumes all Custom Scales have a root of A so setting Key to ‘A’ will do no transposition. Existing presets may need to have the Key reset to ‘A’ to perform as intended.
Added a Barber Pole Phaser type to the Phaser block. This mode creates a phaser that appears to always move in the same direction. Note that the Freq and Tempo parameters are not used in this mode. Also note that Mix should be set to 100% for normal operation whereas 50% is typical in the other modes. This effect works best at slow rates and when placed near the end of a signal chain.
Fixed certain amp models popping when switching to/from using X/Y.
Fixed user cab names not updating when exporting Tone Match or capturing IRs.
Par ailleurs, pour les fans de Metallica, voici des enregistrements en bonne qualité du concert en Antarctique :
http://www.livemetallica.com/l(...).html
Cela n'a plus rien à voir avec le streaming diffusé sur YouTube, qui apparemment provenait du mix in ears d'un des musiciens