Ça me fait toujours un truc quand je le faire des démos avec son Perfecto, Agnesi.
C'est pas très respectueux des guitares et de leurs futurs acquéreurs, non ? La fermeture éclair du blouson doit laisser des traces ?
Pour revenir à la 60th anniversary : ce ne sont pas les caches micros des true historic qu'ils ont mis. Ils ont encore un stock d'anciens covers ou quoi ?
Après, ils se gardent quand même bien de dire que Bolivian Rosewood = Pau Ferro. Mais bon, si ça le fait bien, pourquoi pas.
https://guitar.com/review/elec(...)dard/ :
Citation:
This guitar’s major departure from vintage specifications is, of course, the absence of a Brazilian rosewood fretboard. Gibson has only been able to source very limited quantities of high-quality Brazilian rosewood in recent years and none of it has shipped overseas since 2003. It isn’t even a custom option for US customers and is only made available in limited runs.
However, there are two options for fretboard material when it comes to 2019’s R9 – Indian and Bolivian rosewood. Thanks to CITES, many of us have been forced to become armchair experts on Dalbergia latifolia, but our review guitar’s Bolivian ’board – with its smooth finish, dark-brown hue and far less noticeable pores than Indian or Brazilian rosewood – requires further investigation.
Gibson Custom 60th Anniversary 1959 Les Paul Standard fretboard inlays
The trapezoid inlays are aged cellulose nitrate
“Bolivian rosewood is essentially pau ferro from Bolivia that has been sorted and processed in Brazil and selected for its visual characteristics,” reveals Mat. “It’s dark and dense, unlike some pau ferro you see out there. The reason we offer it as an option is because it’s export-friendly in the current CITES climate and it’s a great fingerboard wood to use. It’s actually a little closer density-wise to Brazilian rosewood than Indian rosewood.”
So which does Mat prefer? “Honestly, I believe you can’t go wrong. Indian and Bolivian are both great choices. No one has detected any tonal differences, as far as I know. I would expect maybe a little less compression and more clarity out of the Bolivian because of the density. But we’re talking about splitting hairs here.”
C'est un discours que je trouve acceptable.
